Demonstration: negative dialectics (reconstruction from a New York City corpse, 4:20 am, 1994, of X-rays of an anonymous 19th century American painting after Titian).
Primary Artist
Bernhard Sachs (1954–2022)
Title
Work number
Australian Print Workshop (1981-), 2567
Date made
1995 – 1995, May
Place made
Australia, Australia, Victoria, Melbourne View on map Close map
Category
Print types
intaglio | planographic
Technique
lift-ground, spit-bite, aquatint, roulette, burnish, drypoint and lithograph
Matrix size
89.5 x 59.5 cm (plate-mark (a))
Support
paper
Support size
96.5 x 65.5 cm (sheet (a))
State
12th state
Impression
workshop proof 2
Edition information
edition of 3
Inscriptions or device subsequently added to the work
Inscribed verso lower right in black pencil, 'APW 2567'
Subject description
The Australian Print Workshop archive of Australian prints and book arts.
Collection
National Gallery of Australia
IRN
125567
Accession number
2002.431.2567.A-D
Accession method
Purchase
Meeting
Meeting 7, 2001/2002 (2002-06-26)
Provenance
Purchased by the National Gallery of Australia, from the Australian Print Workshop (formerly the Victorian Print Workshop), Melbourne, 2002, where the work was produced.
Credit line
Australian Print Workshop Archive 2, purchased with the assistance of the Gordon Darling Australasian Print Fund 2002
Copyright
© Bernhard Sachs
Subject category
Collection: The Australian Print Workshop [formerly Victorian Print Workshop] archive of Australian prints 1981 - 2002, acquired 2002.
Country of context
Australia
Creators
AUSTRALIAN PRINT WORKSHOP | (1989–) Australian | Organisation | print workshop
Sachs, Bernhard. | (1954–2022) Australian | Male | artist
Last Updated
08 Jan 2013