Attic Gallery

Attic Gallery | GAYFIELD SHAW'S GALLERY

(1920)

Commercial gallery. Located: Australia (NSW).

WORKS 1 – 20 of 165 IMAGES ONLY

Mabel Barling (1914–)

A big cat.

etching

James Crisp (1879–1962)

A bit of Eden, South Coast.

F. Sidney Walker (1888–1972)

A bush track in Riverina.

Thomas Friedensen (1879–1931)

A pipe of 'baccy'. | A pipe of baccy.

Artist: Dwyer, Ella. | Title: A summer afternoon. | Date: c.1930 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

Ella Dwyer (1887–1979)

A summer afternoon.

(c.1930)

etching and aquatint

Thomas Friedensen (1879–1931)

A sunlit canal, Venice.

(1924)

etching and aquatint

Helen Farmer (1888–1970)

A Wharf at Forster.

etching

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

A windy day

(1927)

line-etching

John Goodchild (1898–1980)

Argyle.

Allan Glover (1900–1984)

At the Foothills.

etching

Bruce Robertson (1872–1943)

Australian Pastoral.

etching

Jessie Traill (1881–1967)

Autrefois.

Marion Ellis (1921–)

Baby Elephants.

Louis Thompson (1921–)

Battersea Bridge.

Artist: Proctor, Thea. | Title: Before rehearsal | Date: 1919 | Technique: lithograph, printed in black ink, from one stone

Thea Proctor (1879–1966)

Before rehearsal | Maurice Lambert and Penelope Spencer

(1919)

lithograph

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Berry's Bay

(1926)

line-etching and drypoint

Jessie Traill (1881–1967)

Between showers, Carcassonne.

(1927)

equatint

Elsie Henderson (1880–1967)

Black Jaguar in a Tree.

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

John Goodchild (1898–1980)

Brandon Bridge

(1927)

lithograph

Charlotte Lawrenson

Breton Wedding.