Gainsborough Gallery [1].

Gainsborough Gallery [1]. | JEANETTIE SHELDON GALLERY

(18 August 1928 – October 1930)

Commercial gallery. Located: Australia (QLD).

Frequent print exhibitions

WORKS 1 – 20 of 29 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: A bridge, Estremadura | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A bridge, Estremadura | A bridge, Estremadura [sic]

(1926)

drypoint

Artist: LINDSAY, Lionel | Title: A Calvary, Segovia | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A Calvary, Segovia

(1927)

drypoint

Lionel Lindsay (1874–1961)

A Courtyard in New Castile.

Lionel Lindsay (1874–1961)

A Pannikin of Flour.

Lionel Lindsay (1874–1961)

A Sicilian Goatherd.

Artist: LINDSAY, Lionel | Title: A smithy, Avila, Spain | Date: 1926 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

A smithy, Avila, Spain

(1926)

drypoint

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Apple blossom

(1924)

wood-engraving

Lionel Lindsay (1874–1961)

Bignonia.

(1920s)

Artist: LINDSAY, Lionel | Title: Burgos | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Burgos

(1927)

etching

Artist: LINDSAY, Lionel | Title: Coaching days; near Binalong | Date: 1925 | Technique: spirit-aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Coaching days; near Binalong

(1925)

spirit-aquatint and burnishing

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Dahlias

(1925)

wood-engraving

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Evening ride

(1925)

drypoint

Lionel Lindsay (1874–1961)

Gerona.

Artist: LINDSAY, Lionel | Title: Heysen's birds | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Heysen's birds | Turkeys

(1923)

wood-engraving

Lionel Lindsay (1874–1961)

Kookaburra.

Artist: LINDSAY, Lionel | Title: Kosciusko The bull calls on the Perisher range, Kosciusko | Date: 1925 | Technique: spirit-aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Kosciusko The bull calls on the Perisher range, Kosciusko | On the Perisher Range, Kosciusko

(1925)

spirit-aquatint

Artist: LINDSAY, Lionel | Title: San Andres, Toledo | Date: 1927 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

San Andres, Toledo | St Andes, Toledo

(1927)

etching

Lionel Lindsay (1874–1961)

Spangles.

Lionel Lindsay (1874–1961)

St. Lesmes, Burgos.

Artist: LINDSAY, Lionel | Title: Sunday camp | Date: 1925 | Technique: etching and aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Sunday camp

(1925)

etching and aquatint