Gayfield Shaw's Gallery [1]

Gayfield Shaw's Gallery [1] | GAYFIELD SHAW GALLERY

(by 1920)

Commercial gallery. Located: Australia (NSW).

Prints

WORKS 81 – 100 of 272 IMAGES ONLY

Norman Lindsay (1879–1969)

Good night.

(1920)

etching

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

Sydney Ure Smith (1887–1949)

Gore Bay.

(1918)

etching and aquatint

A.H. Fullwood (1863–1930)

Greenwich Park.

Martin Hardie (1875–1952)

Grey Day, Newhaven.

John Shirlow (1869–1936)

Hampton Beach.

(1908)

etching

A.H. Fullwood (1863–1930)

Hamstead Heath.

Sydney Ure Smith (1887–1949)

Harbour from Curraghbeana Point.

A.H. Fullwood (1863–1930)

Haymaking.

Eirene Mort (1879–1977)

Heart of the Bruce.

(1921)

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Herodiade in the mirror

(1919)

etching

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

His ain fireside.

(1912?)

etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint

A.H. Fullwood (1863–1930)

Home sweet home.

A.H. Fullwood (1863–1930)

Hyde Park Corner, London.

A.H. Fullwood (1863–1930)

Hyde Park, London.

Fred Campbell (1851–1930)

In Southern Pastures.

David Barker (1888–1946)

In the stubble.

(1920)

etching

Eirene Mort (1879–1977)

Jubbergate, York.

(1921)

etching

A.H. Fullwood (1863–1930)

Kentish Hop Farm.

C.H. Bartlett (1860–1940)

Khyber Pass.