Gayfield Shaw's Gallery [1]

Gayfield Shaw's Gallery [1] | GAYFIELD SHAW GALLERY

(by 1920)

Commercial gallery. Located: Australia (NSW).

Prints

WORKS 1 – 20 of 29 IMAGES ONLY
Artist: Barker, David. | Title: A doorway in Judea. | Date: (1919) | Technique: etching and foul biting, printed in warm black ink with plate-tone, from one plate

David Barker (1888–1946)

A doorway in Judea.

((1919))

etching and foul biting

Artist: Barker, David. | Title: A tomb in Bethlehem. | Date: (1919) | Technique: etching and foul biting, printed in black ink with plate-tone, from one plate

David Barker (1888–1946)

A tomb in Bethlehem.

((1919))

etching and foul biting

Artist: LINDSAY, Lionel | Title: Adelaide Town Hall | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Adelaide Town Hall | Town Hall, Adelaide

(1920)

etching

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

Sydney Ure Smith (1887–1949)

Bank of New South Wales, Windsor

(1920)

etching

Artist: LINDSAY, Lionel | Title: Chinese beauty | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Chinese beauty

(1922)

wood-engraving

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

Sydney Ure Smith (1887–1949)

Cottage, Clarendon | Clarendon

(1921)

etching

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

Deserted courtyard, Hartley

(1920)

etching

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Desolation

(1919)

spirit-aquatint with burnished hightlights

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Elizabeth Farm, Parramatta | Elizabeth Farm House, Parramatta

(1920)

etching

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

Friendly trees

(1921)

etching

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

Norman Lindsay (1879–1969)

From the moon

(1920)

etching

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Gamecocks, Spain

(1919)

etching

Artist: URE SMITH, Sydney | Title: Gore Bay. | Date: 1918 | Technique: etching and aquatint, printed in warm black ink, from one plate

Sydney Ure Smith (1887–1949)

Gore Bay.

(1918)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Herodiade in the mirror | Date: 1919 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Herodiade in the mirror

(1919)

etching

Artist: FULLWOOD, A.H. | Title: His ain fireside. | Date: 1912? | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

His ain fireside.

(1912?)

etching

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

Jessie Traill (1881–1967)

Hole in the trees

(c.1920)

etching and aquatint

Artist: LINDSAY, Lionel | Title: Little farm house, Ambleside | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Little farm house, Ambleside | The farmhouse | The old farmhouse, Ambleside.

(1920)

etching

Artist: LINDSAY, Norman | Title: Madam mystery. | Date: 1920 | Technique: etching, printed in black ink, from one plate

Norman Lindsay (1879–1969)

Madam mystery.

(1920)

etching

Artist: URE SMITH, Sydney | Title: Musgrave Street from Cremorne. | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one copper plate

Sydney Ure Smith (1887–1949)

Musgrave Street from Cremorne. | Musgrave Street, Mosman.

(1916)

etching

Artist: LINDSAY, Lionel | Title: Old barn, Windsor, NSW | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Old barn, Windsor, NSW | Dilapidated barn, Windsor | The barn Windsor

(1919)

etching