Gayfield Shaw's Gallery [1]

Gayfield Shaw's Gallery [1] | GAYFIELD SHAW GALLERY

(by 1920)

Commercial gallery. Located: Australia (NSW).

Prints

WORKS 61 – 80 of 272 IMAGES ONLY

William Walcot (1874–1943)

Doges Palace, Venice.

Norman Lindsay (1879–1969)

Dream Merchant.

Sydney Ure Smith (1887–1949)

Elizabeth Bay from Potts Point.

(1914)

Artist: MORT, Eirene | Title: Elizabeth Farm, Parramatta | Date: 1920 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Elizabeth Farm, Parramatta | Elizabeth Farm House, Parramatta

(1920)

etching

Sydney Ure Smith (1887–1949)

Entrance of Bank of N.S.W.

Sydney Ure Smith (1887–1949)

Entrance old colonial Treasury.

(1916)

Herbert Rose (1890–1937)

Entrance to Auditorium.

Sydney Long (1871–1955)

Epping Forest, Landscape.

etching

Sydney Ure Smith (1887–1949)

Farmhouse, Hartley.

A.H. Fullwood (1863–1930)

Fenbridge, Dedham.

A.H. Fullwood (1863–1930)

Field Flowers.

John Barclay Godson (1882–1957)

Fischer Library, University, Sydney.

A.H. Fullwood (1863–1930)

Fleet Street, London.

John Shirlow (1869–1936)

Flinders Street Station.

Herbert Rose (1890–1937)

Flinders Street, Melbourne.

Sydney Ure Smith (1887–1949)

Freezing works, Parramatta River.

(1914)

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Jessie Traill (1881–1967)

Friendly trees

(1921)

etching

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

Norman Lindsay (1879–1969)

From the moon

(1920)

etching

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Gamecocks, Spain

(1919)

etching

Herbert Rose (1890–1937)

Glebe Island Bridge, Sydney.