Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Australian Painter-Etchers Society. Second [Melbourne] Exhibition [1923]

Decoration Art Gallery (15 October 1923 – 29 October 1923)

Commercial Multi-artist exhibition. Located: Australia (VIC).

Prints

WORKS 1 – 20 of 151 IMAGES ONLY

Thomas Friedensen (1879–1931)

A canal in Venice.

(1923)

etching and aquatint

Fred Campbell (1851–1930)

A fair wind. | A fairwind.

Fred Campbell (1851–1930)

A sunlit sea.

Bruce Robertson (1872–1943)

Across Lake Macquarie, N.S.W.

(c.1922)

etching

Henri Van Raalte (1881–1929)

Adelaide Cathedral.

Artist: SHIRLOW, John | Title: Andante. | Date: 1923 | Technique: drypoint, printed in black ink, from one copper plate

John Shirlow (1869–1936)

Andante.

(1923)

drypoint

Norman Lindsay (1879–1969)

Argument.

(1923)

etching

Bruce Robertson (1872–1943)

Australian Bush Road.

etching

Bruce Robertson (1872–1943)

Australian sunrise.

(c.1925)

Sydney Long (1871–1955)

Badnage Landscape.

Thomas Friedensen (1879–1931)

Barges, Chiswick Mall.

(1922)

Henri Van Raalte (1881–1929)

Barracks, Perth. | The Barracks, Perth.

(c.1918)

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Beddington Corner

(1922)

softground-etching and aquatint

Herbert Rose (1890–1937)

Berry's Bay, Sydney.

etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Between the showers

((1916))

line-etching and drypoint

Henri Van Raalte (1881–1929)

Bracken banks.

(c.1918)

Artist: LINDSAY, Lionel | Title: Breakfast | Date: 1923 | Technique: softground etching and aquatint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Breakfast

(1923)

softground etching and aquatint

Jessie Traill (1881–1967)

Broken Hill silhouette, British Mine, Sunset.

Sydney Ure Smith (1887–1949)

Burdekin House.

Sydney Long (1871–1955)

Camp in the forest.