An Exhibition of Etchings and Drawings

An Exhibition of Etchings and Drawings

Multi-artist exhibition. Located: Australia.

Prints, Drawings

WORKS 1 – 20 of 48 IMAGES ONLY

Sydney Ure Smith (1887–1949)

A Reach of the Hawkesbury*.

Fred Britton (1889–1931)

Adelaide Railway Station.

Artist: van RAALTE, Henri | Title: An idyll. | Date: c.1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Henri Van Raalte (1881–1929)

An idyll.

(c.1920)

drypoint

Artist: LINDSAY, Lionel | Title: Apple blossom | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Apple blossom

(1924)

wood-engraving

A.H. Fullwood (1863–1930)

Argyle Cut, Sydney.

(1910)

Henri Van Raalte (1881–1929)

Calm Morning.

(1923)

Raymond Mcgrath (1903–1977)

'Come hither, Child, to me'.

Harold Herbert (1891–1945)

Cypresses, Ronda. | Cypresses at Ronda.

(c.1924)

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

Adrian Feint (1894–1971)

Decoration.

(1924)

etching

John Barclay Godson (1882–1957)

Etching.

Henri Van Raalte (1881–1929)

Evening glow.

(c.1925)

drypoint and aquatint

Harold Herbert (1891–1945)

Fishing boats, Martigues.

Lionel Lindsay (1874–1961)

Frosty Morning.

Fred Britton (1889–1931)

General Post Office, Adelaide.

Henri Van Raalte (1881–1929)

Gulley stones.

(c.1918)

Raymond Mcgrath (1903–1977)

'In dreams and dark Chateau'.

Raymond Mcgrath (1903–1977)

'Is there anybody there?'.

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Jerusalem Bay, Ku-Ring-Gai Chase, NSW.

(1924)

etching

A.H. Fullwood (1863–1930)

Kuring-gai Chase.

(1924)

Sydney Ure Smith (1887–1949)

Macquarie Fields.