Monotypes, Pencil Drawings, Etchings and Aquatints

Monotypes, Pencil Drawings, Etchings and Aquatints

Gayfield Shaw's Gallery [1] (13 December 1920 – 24 December 1920)

Multi-artist exhibition. Located: Australia (NSW).

Included prints

WORKS 41 – 60 of 87 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: Old barn, Windsor, NSW | Date: 1919 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Old barn, Windsor, NSW | Dilapidated barn, Windsor | The barn Windsor

(1919)

etching

A.H. Fullwood (1863–1930)

Old bridge, Mosman Bay.

Sydney Ure Smith (1887–1949)

Old cottage, Hartley, New South Wales.

(1920)

etching

A.H. Fullwood (1863–1930)

Old Tasmanian Windmill. | Old Windmill, near Hobart.

Herbert Rose (1890–1937)

Prince's Bridge.

Herbert Rose (1890–1937)

Queen's Railway Bridge.

A.H. Fullwood (1863–1930)

Queens Square.

Fred Campbell (1851–1930)

Reflections.

Fred Campbell (1851–1930)

Reservoir at Braemar.

J. Birchland Jones (1920–)

Rose Bay Convent.

Fred Campbell (1851–1930)

Shades of Evening.

(1920)

A.H. Fullwood (1863–1930)

Ship unloading coal at Mosman.

Norman Lindsay (1879–1969)

Siesta.

(1920)

etching

Fred Campbell (1851–1930)

Solitude.

Herbert Rose (1890–1937)

Spring Street, Melbourne.

Lionel Lindsay (1874–1961)

St. Phillip's Church.

mezzotint.

Fred Campbell (1851–1930)

Sunset.

Artist: FULLWOOD, A.H. | Title: Sydney Harbour. | Date: 1921 | Technique: etching, printed in black ink, from one plate

A.H. Fullwood (1863–1930)

Sydney Harbour.

(1921)

etching

Sydney Ure Smith (1887–1949)

The barn.

Sydney Ure Smith (1887–1949)

The barn, Winnstay.