Monotypes, Pencil Drawings, Etchings and Aquatints

Monotypes, Pencil Drawings, Etchings and Aquatints

Gayfield Shaw's Gallery [1] (13 December 1920 – 24 December 1920)

Multi-artist exhibition. Located: Australia (NSW).

Included prints

WORKS 1 – 20 of 87 IMAGES ONLY

A.H. Fullwood (1863–1930)

A waterhole.

Lionel Lindsay (1874–1961)

Adelaide Town Hall | Town Hall, Adelaide

(1920)

etching

David Barker (1888–1946)

Balmoral Beach.

Sydney Ure Smith (1887–1949)

Bank of New South Wales, Windsor

(1920)

etching

Jessie Traill (1881–1967)

Beautiful Victoria.

Norman Lindsay (1879–1969)

Beauty's fortune.

(1920)

etching

David Barker (1888–1946)

Boatsheds, The Spit, Sydney.

Jessie Traill (1881–1967)

Bush Track.

Eirene Mort (1879–1977)

Camden.

(1920)

A.H. Fullwood (1863–1930)

Cape Raoel, Tasmania.

A.H. Fullwood (1863–1930)

Circular Quay, Sydney.

Fred Campbell (1851–1930)

Close Hauled. | Closehauled.

aquatint

Herbert Rose (1890–1937)

Collins Street by Night.

R. H. Addison (1920–)

Cottage on the Somme.

Eirene Mort (1879–1977)

Court House and Cells, Hartley.

Norman Lindsay (1879–1969)

Debut.

(1920)

Sydney Ure Smith (1887–1949)

Deserted courtyard, Hartley

(1920)

etching

Norman Lindsay (1879–1969)

Desire.

(1919)

etching

Lionel Lindsay (1874–1961)

Desolation

(1919)

spirit-aquatint with burnished hightlights

Eirene Mort (1879–1977)

Elizabeth Farm, Parramatta | Elizabeth Farm House, Parramatta

(1920)

etching