Dyson, Will.

Dyson, Will. | Dyson, William Henry.

(1880–1938) Australian | Male

Worked: Australia (VIC), England. Etchings, Linocuts, Lithographs, Woodcuts

Cartoonist | Drawer | Illustrator | Printmaker

WORKS 41 – 60 of 124 IMAGES ONLY

Will Dyson (1880–1938)

Mr Thomas Hardy finds evidence of canker in the fields of asphodel.

Will Dyson (1880–1938)

Much more of this from you George Bernard Shaw and Dr. Frend shall hear of it.

Will Dyson (1880–1938)

'My son we are powerless, the bankers have spoken.'.

Will Dyson (1880–1938)

N.Y. - 'Well! well! well! one lives and learns one lives and learns'.

Will Dyson (1880–1938)

N.Y. 2000 A.D. - Heaven's lost privacy.

Will Dyson (1880–1938)

New York: Alas poor Bacchus.

Artist: Dyson, Will. | Title: New York: Alas poor Bacchus. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

New York: Alas poor Bacchus.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: New York: N.Y. 2000 A.D. - Heaven's lost privacy. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

New York: N.Y. 2000 A.D. - Heaven's lost privacy.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Nobody gives us credit for the masterpieces we haven't written yet. | Date: 1930, before | Technique: lithograph, printed in black ink, from one zinc plate

Will Dyson (1880–1938)

Nobody gives us credit for the masterpieces we haven't written yet.

(1930, before)

lithograph

Artist: Dyson, Will. | Title: Nobody gives us credit for the masterpieces we haven't written yet. | Date: c.1920 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

Nobody gives us credit for the masterpieces we haven't written yet.

(c.1920)

lithograph

Artist: Dyson, Will. | Title: Now young woman amuse me!. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Now young woman amuse me!.

(c.1929)

drypoint

Will Dyson (1880–1938)

'Of course here frankly one misses the instinctive good form, the mellower courtesies of the older world.'.

Artist: Dyson, Will. | Title: One of the old platoon. | Date: 1917 | Technique: lithograph, printed in colour, from two stones (black and green)

Will Dyson (1880–1938)

One of the old platoon.

(1917)

lithograph

Artist: Dyson, Will. | Title: Ordinance workshops, Cambrai Road. | Date: 1918 | Technique: lithograph, printed in colour, from two stones (black and green)

Will Dyson (1880–1938)

Ordinance workshops, Cambrai Road.

(1918)

lithograph

Artist: Dyson, Will. | Title: Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce.

(c.1929)

etching

Artist: Dyson, Will. | Title: Our immortals: Of course my dear Dean Inge, I am biased, my son was a carpenter.. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: "Of course my dear Dean Inge, I am biased, my son was a carpenter.".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances. | Date: 1929 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances.

(1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances.

Artist: Dyson, Will. | Title: Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir.

(c.1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Count Leo Tolstoy suspecting sensuality.