Will Dyson (1880–1938)

Mr Thomas Hardy finds evidence of canker in the fields of asphodel.

Will Dyson (1880–1938)

Much more of this from you George Bernard Shaw and Dr. Frend shall hear of it.

Will Dyson (1880–1938)

'My son we are powerless, the bankers have spoken.'.

Will Dyson (1880–1938)

N.Y. - 'Well! well! well! one lives and learns one lives and learns'.

Will Dyson (1880–1938)

N.Y. 2000 A.D. - Heaven's lost privacy.

Will Dyson (1880–1938)

New York: Alas poor Bacchus.

Will Dyson (1880–1938)

New York: Alas poor Bacchus.

(c.1929)

drypoint

Will Dyson (1880–1938)

New York: N.Y. 2000 A.D. - Heaven's lost privacy.

(c.1929)

drypoint

Will Dyson (1880–1938)

Nobody gives us credit for the masterpieces we haven't written yet.

(1930, before)

lithograph

Will Dyson (1880–1938)

Nobody gives us credit for the masterpieces we haven't written yet.

(c.1920)

lithograph

Will Dyson (1880–1938)

Now young woman amuse me!.

(c.1929)

drypoint

Will Dyson (1880–1938)

'Of course here frankly one misses the instinctive good form, the mellower courtesies of the older world.'.

Will Dyson (1880–1938)

One of the old platoon.

(1917)

lithograph

Will Dyson (1880–1938)

Ordinance workshops, Cambrai Road.

(1918)

lithograph

Will Dyson (1880–1938)

Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce.

(c.1929)

etching

Will Dyson (1880–1938)

Our immortals: "Of course my dear Dean Inge, I am biased, my son was a carpenter.".

(c.1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances.

(1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Ah Mr. Hardy, Mr. Hardy, if you only knew all the circumstances.

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir.

(c.1929)

drypoint

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Count Leo Tolstoy suspecting sensuality.