Dyson, Will.

Dyson, Will. | Dyson, William Henry.

(1880–1938) Australian | Male

Worked: Australia (VIC), England. Etchings, Linocuts, Lithographs, Woodcuts

Cartoonist | Drawer | Illustrator | Printmaker

WORKS 21 – 40 of 85 IMAGES ONLY
Artist: Dyson, Will. | Title: Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Hollywood: The Talkies - science: Alas! poor posterity, can you ever forgive me - I've gone and made the Hamlet eternal.

(c.1929)

etching

Artist: Dyson, Will. | Title: Home comforts in the tunnels, Hill 60. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone Arnold unbleached

Will Dyson (1880–1938)

Home comforts in the tunnels, Hill 60.

(1918)

lithograph

Artist: Dyson, Will. | Title: Messines, morning of the offensive. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

Messines, morning of the offensive.

(1918)

lithograph

Artist: Dyson, Will. | Title: Moralities: Can you forgive me Father? Can you forgive me daughter?. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Moralities: "Can you forgive me Father?" "Can you forgive me daughter?".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Moralities: Why did I do it?. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Moralities: Why did I do it?.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Mr Belloc on the path to Rome. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Mr Belloc on the path to Rome.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Mr Noel Coward: Of course Mr Epstein I speak as a layman, for the moment I have done no sculpture!. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Mr Noel Coward: Of course Mr Epstein I speak as a layman, for the moment I have done no sculpture!.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: New York: Alas poor Bacchus. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

New York: Alas poor Bacchus.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: New York: N.Y. 2000 A.D. - Heaven's lost privacy. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

New York: N.Y. 2000 A.D. - Heaven's lost privacy.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Nobody gives us credit for the masterpieces we haven't written yet. | Date: 1930, before | Technique: lithograph, printed in black ink, from one zinc plate

Will Dyson (1880–1938)

Nobody gives us credit for the masterpieces we haven't written yet.

(1930, before)

lithograph

Artist: Dyson, Will. | Title: Nobody gives us credit for the masterpieces we haven't written yet. | Date: c.1920 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

Nobody gives us credit for the masterpieces we haven't written yet.

(c.1920)

lithograph

Artist: Dyson, Will. | Title: Now young woman amuse me!. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Now young woman amuse me!.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: One of the old platoon. | Date: 1917 | Technique: lithograph, printed in colour, from two stones (black and green)

Will Dyson (1880–1938)

One of the old platoon.

(1917)

lithograph

Artist: Dyson, Will. | Title: Ordinance workshops, Cambrai Road. | Date: 1918 | Technique: lithograph, printed in colour, from two stones (black and green)

Will Dyson (1880–1938)

Ordinance workshops, Cambrai Road.

(1918)

lithograph

Artist: Dyson, Will. | Title: Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce. | Date: c.1929 | Technique: etching, printed in black ink, from one plate

Will Dyson (1880–1938)

Our dealers: Sorry Mr. Smith, but we only handle artists whose names are difficult to pronounce.

(c.1929)

etching

Artist: Dyson, Will. | Title: Our immortals: Of course my dear Dean Inge, I am biased, my son was a carpenter.. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: "Of course my dear Dean Inge, I am biased, my son was a carpenter.".

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances. | Date: 1929 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

Our immortals: Ah Mr Hardy, Mr Hardy, if you only knew all the circumstances.

(1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Count Leo Tolstoi suspecting an element of sensuality in the Heavenly choir.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: First act, third scene of an old and original comedy by G.B.S. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: First act, third scene of an old and original comedy by G.B.S.

(c.1929)

drypoint

Artist: Dyson, Will. | Title: Our immortals: Much more of this from you George Bernard Shaw and Dr Freud shall hear of it!. | Date: c.1929 | Technique: drypoint, printed in black ink, from one plate

Will Dyson (1880–1938)

Our immortals: Much more of this from you George Bernard Shaw and Dr Freud shall hear of it!.

(c.1929)

drypoint