Long, Sydney. (1871–1955) · Exhibition History · Australian Prints + Printmaking

Exhibition of Australian Art [1932].

Venues

Boans Art Gallery. (8 March 1932 – 24 March 1932)
Perth, Western Australia, Australia

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Works

133. A Sandgrain Pastoral. 3 gns (unframed)

138. Boatshed, Narrabeen. 1 gn (unframed)

216. Landscape, Narrabeen. 3 gns (unframed)

217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

218.

The blacksmith's shop

4 gns (unframed)

219. Badnage Landscape. 4 gn (unframed)

The Painter-Etchers' and Graphic Art Society of Australia. (formerly the Australian Painter-Etchers' Society) Exhibition, 1934

Venues

Education Department Gallery (3 December 1934 – 14 December 1934)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

34. William of Wyndham. 2 gns

35. The derelict. 3 gns

36. The little boat shed. 3 gns

37. 'Mid-day'. 4 gns

38. 'Pyrmont Bridge'. 4 gns

39. 'Old Custom House', Palm Beach. 3 gns

40. 'Landscape, Avoca'. 3 gns

41. 'Fishing Boats', Lisbon. 4 gns

42. 'Floodlighted'. 4 gns

Artist: LONG, Sydney | Title: St. Stephen's, Camperdown | Date: 1928, after | Technique: line-etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. St. Stephen's, Camperdown 4 gns

44. 'The Dredge'. 3 gns

177. 'The Open Gate' chalk drawing. 6½ gns

The Painter-Etchers' and Graphic Art Society of Australia (formerly the Australian Painter-Etchers' Society) Exhibition, 1934.

Venues

Education Department Gallery (3 December 1934 – 14 December 1934)
5th floor, Loftus St., Sydney, New South Wales, Australia

Catalogue [of the] Second Annual Exhibition. Painter Etchers' and Graphic Art Society of Australia. Formerly the Australian Painter-Etchers' Society.

Venues

Blaxland Galleries. [1]. (8 October 1935 – 19 October 1935)
8th & 9th floor, George St., Sydney, New South Wales, Australia.

Works

84. The boatshed. £4.04.0

85. Dee Why. £3.03.0

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

86. The riverside Not For Sale

Artist: LONG, Sydney | Title: The land of the lavender | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

87. The land of the lavender £3.03.0

88. Street Scene study for [drawing]. £5.05.0

89. The Insecure Landing. Not For Sale

90. The Edge of the Lagoon. Not For Sale

91. The Wayside Inn. £3.03.0

92. Landscape, Mitcham charcoal and wash. £8.08.0

93. Working Proof for the Demolition of Waterloo Bridge etching Not for Sale (Kindly lent by Mr Gifford).

194 Pictures at the Annual Exhibition by the Painter Etchers' and Graphic Art Society of Australia

Venues

David Jones' Galleries [George st] (28 October 1936 – 13 November 1936)
George St., Sydney, New South Wales, Australia

Works

108. Station Square [2]. 4 gns

Artist: LONG, Sydney | Title: The lagoon | Date: 1928 | Technique: aquatint and drypoint, printed in dark brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

108. The lagoon 5 gns

110. Landscape, Avoca. 3 gns

111. Central Tower, University. 3 gns

112. Old Sydney. 3 gns

113. The Village. 3 gns

Artist: LONG, Sydney | Title: St. Albans | Date: 1918 | Technique: line-etching and drypoint, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

114. St. Albans 3 gns

Painter-Etchers and Graphic Art Society of Australia, Exhibition, 1937.

Venues

Education Department Gallery (23 November 1937 – 17 December 1937)
5th floor, Loftus St., Sydney, New South Wales, Australia

Works

135. Avoca landscape. 3 gns

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136. The lake, Avoca 4 gns

Artist: LONG, Sydney | Title: On the Wandle | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

137. On the Wandle 3 gns

138. Street, Alexandria. 5 gns

139. The river from Waterloo Bridge. 6 gns

140. Chalk and Wash Drawing. 8 gns

141. The little boat shed. 3 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

142. Moonrise pastoral 5 gns

Artist: LONG, Sydney | Title: Circular Quay, Sydney | Date: 1926 | Technique: line-etching and drypoint, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

143. Circular Quay, Sydney 4 gns

144. The lagoon 4 gns

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

145. The bridge, Avoca 4 gns

Annual Exhibition by the member of the Painter-Etchers' and Graphic Art Society of Australia

Venues

David Jones' Exhibition Galleries [Market St] (2 November 1938 – 17 November 1938)
Market Street, Sydney, New South Wales, Australia

Works

A Mill in Surry. £1.16.6 (framed); £1.11.6 (Unframed)

Willow Trees. £2.07.6 (framed); £2.02.0 (Unframed)

Fishing Boats. 4½ gns (Framed) 4 gns (Unframed)

10. St. Stephen's, Camperdown 4½ gns (Framed) 4 gns (Unframed)

11. The Boston Stump. 3½ gns (Framed) 3 gns (Unframed)

12. Petertavy Village, Devon. £2.16.6 (framed); £2.11.6 (Unframed)

13. The derelict. £3.07.6

14. Narrabeen Lake. 3½ gns (Framed) 3 gns (Unframed)

15. Reflected Mill. 4½ gns (Framed) 4 gns (Unframed)

16. Radnage Village. £2.07.6

Artist: LONG, Sydney | Title: Australian koalas | Date: 1928, after | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

17. Australian koalas 2 gns

An Exhibition of the Works of Members of the Painter-Etchers and Graphic Arts Society of Australia.

Venues

Australian Art Gallery, The (29 November 1938 – 1938)
97 Rundle St., Adelaide, South Australia, Australia

Works

47. Petertavy Village, Devon. 2½ gns

48. A Surrey mill. 2 gns

49. The little boat shed. 2 gns

Artist: LONG, Sydney | Title: The reflected mill | Date: 1919 | Technique: line-etching and aquatint, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

50. The reflected mill 3 gns

51. Old Sydney, Miller's Point. 3 gns

Artist: LONG, Sydney | Title: Fishing boats, Lisbon | Date: 1923 | Technique: line-etching, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

52. Fishing boats, Lisbon 4 gns

53. St. Stephen's, Camperdown 4 gns

54.

The blacksmith's shop

4 gns

55. The lake, Avoca 4 gns

56. Floodlighted. Sydney Town Hall. 4 gns

Sydney Long ARE. Loan exhibition.

Venues

National Art Gallery Of New South Wales (9 April 1941 – 31 May 1941)
Art Gallery Rd., The Domain, Sydney, New South Wales, Australia

Etchings by Sydney Long.

Venues

Art Gallery Of New South Wales. (7 December 1959 – 10 February 1960)
The Domain, Sydney, New South Wales, Australia

The Manly Daily Art Exhibition

Works

212. Market Place, Bruges, Belgium. 2½ gns

215. On the Wandle 4 gns

234. Fishing Boats. 2½ gns

238. Morning Pastorale. 5 gns

The Manly Daily Art Exhibition Catalogue.

A collected list of etchings: Sydney Long.

Venues

Venue Not Identified. None

Works

Strand on the Green, - No.1. edition of 30

Artist: LONG, Sydney | Title: Old houses, Chiddingstone | Date: 1919 | Technique: line-etching and aquatint, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Chiddingstone edition of 50

Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pan edition of 30

Artist: LONG, Sydney | Title: Hawkesbury landscape | Date: 1924 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Hawkesbury landscape edition of 50

Artist: LONG, Sydney | Title: The Victorian Tower | Date: c.1919 | Technique: softground etching and aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Victorian Tower edition of 10

Artist: LONG, Sydney | Title: The home of the rooks | Date: 1918 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The home of the rooks edition of 50

Artist: LONG, Sydney | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Pastoral sandgrain edition of 30

Camp in the forest. edition of 60 | Print Collector's Club Plate.

Radnage landcape. edition of 40

Market Place, Bruges, Belgium. edition of 30

Artist: LONG, Sydney | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The wooden ship edition of 30

Artist: LONG, Sydney | Title: Autumn landscape | Date: 1920 | Technique: line-etching, printed in brown ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Autumn landscape edition of 30

Artist: LONG, Sydney | Title: St. Paul's from the river | Date: 1920 | Technique: line-etching, printed in dark brown ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

St. Paul's from the river edition of 30

Artist: LONG, Sydney | Title: Friar Street, Worcester | Date: 1919 | Technique: aquatint and line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Friar Street, Worcester edition of 30

Fishing Boats, Whitby. edition of 30

Artist: LONG, Sydney | Title: Fantasy | Date: 1919 | Technique: aquatint and etching, printed in blue ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fantasy edition of 30

Artist: LONG, Sydney | Title: Kookaburra and young | Date: c.1919 | Technique: drypoint, printed in black ink with light plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Kookaburra and young edition of 30

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Magpies edition of 30

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The deserted selection. edition of 30

Strand on the Green, - No.3. edition of 30

The riverside edition of 30

The watercress bed. edition of 30

Kookaburras. edition of 30

Houses of Parliament, from the River. edition of 30

Fishing boats, Lisbon edition of 30

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Fishing boats, Kings Lynn edition of 30

The River, from Blackfriars Bridge -. edition of 30

Artist: LONG, Sydney | Title: The old shot and powder works | Date: 1925 | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The old shot and powder works edition of 30

Artist: LONG, Sydney | Title: Lincoln | Date: 1925 | Technique: line-etching and drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Lincoln edition of 40

Kookaburras, No.3. edition of 60

The blacksmith's shop

edition of 40

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Brisbane water edition of 30

Artist: LONG, Sydney | Title: Turkeys and pumpkins | Date: 1925 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Turkeys and pumpkins edition of 30

St. Albans edition of 30

Artist: LONG, Sydney | Title: The passing storm | Date: c.1919 | Technique: aquatint, softground etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The passing storm edition of 50 | aquatint

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Porte Marechale, Bruges edition of 50

The Mill. edition of 60

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Between the showers edition of 50

Artist: LONG, Sydney | Title: Staples Inn, Holborn | Date: c.1919 | Technique: sandgrain-aquatint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Staples Inn, Holborn edition of 30

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Beddington Corner edition of 30

The Parchment Mills. edition of 30

On the Wandle edition of 30

Artist: LONG, Sydney | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Spirit of the plains edition of 50

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The belfry, Bruges edition of 50

Artist: LONG, Sydney | Title: The harbour, St.Ives | Date: 1920 | Technique: softground-etching with burnishing, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The harbour, St.Ives edition of 50

Artist: LONG, Sydney | Title: Landscape, Epping Forest | Date: c.1919 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Landscape, Epping Forest edition of 50

Moonrise pastoral edition of 60

Artist: LONG, Sydney | Title: The little dutch mill | Date: 1919 | Technique: drypoint, printed warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The little dutch mill edition of 30

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

The Thames from Waterloo Bridge edition of 30

Pastoral. edition of 50

Artist: LONG, Sydney | Title: Drying sails | Date: c.1919 | Technique: line-etching and drypoint, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Drying sails edition of 30

Artist: LONG, Sydney | Title: Becalmed | Date: c.1919 | Technique: line-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Becalmed edition of 30

Artist: LONG, Sydney | Title: Old houses, Worcester | Date: c.1919 | Technique: drypoint, printed in warm black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Old houses, Worcester edition of 30

Artist: LONG, Sydney | Title: A Cornish landscape | Date: (1919) | Technique: softground, aquatint | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

A Cornish landscape edition of 30 | Soft Ground

Etchings by English and Australian Artists

Venues

Gayfield Shaw's Gallery [1] (12 December1921 – 24 December 1921)
Penzance Chambers, 29 Elizabeth St, Sydney, New South Wales, Australia

Works

33. Epping Forest, Landscape. £4.04.0

34. The passing storm £5.05.0

35. Pastoral. £7.07.0

Outlines of Australian Printmaking: Prints of Australia from the last third of the 18th century until the present time.

Venues

Ballarat Fine Art Gallery. (1 July 1976 – 1 October 1976)
40 Lydiard St., Ballarat, Victoria, Australia

Sydney Long 1871-1955.

Venues

S.H. Ervin Gallery (9 October 1979 – 25 November 1979)
National Trust Centre, Watson Rd., The Rocks, Sydney, New South Wales, Australia

Australian Print Makers 1840-1940.

Venues

Josef Lebovic Gallery [3]. (1981 – 1981)
294 Oxford Street, Paddington, Sydney, New South wales, Australia

J.J. Hilder and contemporaries.

Venues

Art Gallery Of New South Wales. (29 August 1981 – 4 October 1981)
The Domain, Sydney, New South Wales, Australia

Tamworth City Gallery (4 April 1982 – 24 April 1982)
203 Marius St., Tamworth, New South Wales, Australia

Newcastle Region Art Gallery (6 May 1982 – 30 May 1982)
Laman Street, Newcastle, New South Wales, Australia

Wollongong City Gallery [1]. (14 June 1982 – 12 July 1982)
Wollongong, New South Wales, Australia

Albury Regional Art Centre (9 September 1982 – 26 September 1982)
546 Dean St., Albury, New South Wales, Australia

Etchings.

Venues

Art Gallery of Western Australia. (10 October 1981 – 8 November 1981)
Perth Cultural Centre, Perth, Western Australia, Australia

Long, Sydney.

Long, Sydney. | Long, Sid.

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