Miller, Max.

Miller, Max. | Miller, Max John.

(1940–) Australian | Male

Worked: Australia (NSW). Etchings, Lithographs, Wood-engravings, Woodcuts

Artist (painter) | Artist (water-colouristist) | Drawer | Printer (editioning) | Printmaker

WORKS 21 – 40 of 110 IMAGES ONLY
Artist: Olsen, John. | Title: Drysdale and Echidna upside down | Date: 1981 | Technique: etching and aquatint, printed in brown ink with plate-tone, from two plates | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Drysdale and Echidna upside down

(1981)

etching and aquatint

Artist: Rees, Lloyd. | Title: Dusk on the Harbour | Date: 1978 | Technique: softground etching, printed in blue ink, from one zinc plate; hand-coloured in watercolour by David Rankin | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Dusk on the Harbour

(1978)

softground etching

Max Miller (1940–)

East Kangaloon

((1978))

aquatint

Artist: Miller, Max. | Title: East Kangaloon | Date: 1978 | Technique: aquatint

Max Miller (1940–)

East Kangaloon

(1978)

aquatint

Artist: Miller, Max. | Title: East Kangaloon | Date: (1978) | Technique: aquatint

Max Miller (1940–)

East Kangaloon

((1978))

aquatint

Artist: Miller, Max. | Title: East Kangaloon a | Date: (1978) | Technique: aquatint

Max Miller (1940–)

East Kangaloon a

((1978))

aquatint

Artist: Miller, Max. | Title: East Kangaloon b | Date: (1978) | Technique: aquatint

Max Miller (1940–)

East Kangaloon b

((1978))

aquatint

Artist: Miller, Max. | Title: East Kangaloon c | Date: (1978) | Technique: aquatint

Max Miller (1940–)

East Kangaloon c

((1978))

aquatint

Artist: Miller, Max. | Title: East Kangaloon f | Date: 1978 | Technique: aquatint

Max Miller (1940–)

East Kangaloon f

(1978)

aquatint

Artist: Olsen, John. | Title: Edge of the void | Date: 1975 | Technique: etching and sugarlift-aquatints, each printed in black ink, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Edge of the void

(1975)

etching and sugarlift-aquatints

Artist: Olsen, John. | Title: Emus by the lake | Date: 1975 | Technique: etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Emus by the lake

(1975)

etching

Artist: Rees, Lloyd. | Title: Farm house Majorca | Date: 1976 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

Farm house Majorca

(1976)

softground-etching

Artist: Miller, Max. | Title: Flowers (tulips), seed boxes (poppies) grasses | Date: 1971 | Technique: wood-engraving, printed in black ink, from one block

Max Miller (1940–)

Flowers (tulips), seed boxes (poppies) grasses

(1971)

wood-engraving

Artist: Miller, Max. | Title: Flowers, foliage | Date: 1970 | Technique: wood-engraving, printed in black ink, from one block

Max Miller (1940–)

Flowers, foliage

(1970)

wood-engraving

Max Miller (1940–)

Foliage, flowers.

(1970)

wood-engraving

Artist: Miller, Max. | Title: Foliage, flowers | Date: 1971 | Technique: wood-engraving, printed inblack ink, from one block

Max Miller (1940–)

Foliage, flowers

(1971)

wood-engraving

Artist: Miller, Max. | Title: Foliage, flowers, daisies | Date: 1970 | Technique: wood-engraving, printed in black ink, from one block

Max Miller (1940–)

Foliage, flowers, daisies

(1970)

wood-engraving

Artist: Miller, Max. | Title: Forest landscape, trees, ferns | Date: 1970 | Technique: wood-engraving, printed in black ink, from one block

Max Miller (1940–)

Forest landscape, trees, ferns

(1970)

wood-engraving

Artist: Olsen, John. | Title: Forever the snake | Date: 1978 | Technique: etching and aquatint, printed in green/brown ink with plate-tone, from one plate | Copyright: © John Olsen. Licensed by VISCOPY, Australia

John Olsen (1928–2023)

Forever the snake

(1978)

etching and aquatint

Max Miller (1940–)

Frieze.

drypoint