Browse: W

WORKS 961 – 980 of 2253 IMAGES ONLY
Artist: Nicholas, William. | Title: Whalebone, winner of the St. Ledger stakes at Homebush May 1847 | Date: 1847 | Technique: lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

Whalebone, winner of the St. Ledger stakes at Homebush May 1847

(1847)

lithograph

Artist: Winstanley, Edward W. | Title: Whalebone. The winner of the St Leger Stakes at Homebush, May 1847. | Date: 1847 | Technique: lithograph, printed in black ink, from one stone

Edward W. Winstanley (1820–1849)

Whalebone. The winner of the St Leger Stakes at Homebush, May 1847.

(1847)

lithograph

Artist: LINDSAY, Lionel | Title: Whaler's Arms, Maori Lane, the Rocks | Date: 1912 | Technique: mezzotint and etching, printed in blue/black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Whaler's Arms, Maori Lane, the Rocks | Malcas Arms, Maori Lane, the Rocks

(1912)

mezzotint and etching

Ashley Cooper (1889–1970)

Whalers' Arms and Hero of Waterloo, Miller's Point pencil drawing.

Lionel Lindsay (1874–1961)

Whalers' Arms Lane.

Lionel Lindsay (1874–1961)

'Whalers, Arms', Lane. mezzotine sic .

Artist: Jones, Henry Gilbert. | Title: Wharf and Yarra from Batman's Hill. | Date: 1841-45 | Technique: etching, printed in black ink, from one copper plate

Henry Gilbert Jones (1804–1888)

Wharf and Yarra from Batman's Hill.

(1841-45)

etching

Artist: Baldwinson, Arthur. | Title: (Wharf with timber and workmen). | Date: 1931 | Technique: etching and aquatint, printed in dark brown ink with plate-tone, from one zinc plate

Arthur Baldwinson (1908–1969)

(Wharf with timber and workmen).

(1931)

etching and aquatint

Artist: Jones, Henry Gilbert. | Title: Wharf, Melbourne. | Date: 1841-45 | Technique: etching, printed in black ink, from one copper/plate

Henry Gilbert Jones (1804–1888)

Wharf, Melbourne.

(1841-45)

etching

Herbert Gallop (1890–1958)

Wharfside.

Herbert Gallop (1890–1958)

Wharfside, Pittwater.

(c.1929)

etching

Frank Brangwyn (1867–1956)

Wharfside, Thames.

William Lushington Goodwin (1798–1862)

What a Shocking Bad Hat.

(29 October 1836 (published))

Artist: Headlam, Kristin. | Title: What a wonderful piece of luck. | Date: 1998 | Technique: etching, printed in black ink, from one plate | Copyright: © Kristin Headlam, Licensed by VISCOPY, Australia

Kristin Headlam (1953–)

What a wonderful piece of luck.

(1998)

etching

Artist: Burns, Tim. | Title: What about crosswalks in Mildura. | Date: 1976 | Technique: photocopy, printed in colour

Tim Burns (1947–)

What about crosswalks in Mildura.

(1976)

photocopy

Artist: Artist unknown. | Title: What bomb is that? | Technique: screenprint, printed in colour, from multiple stencils

Artist unknown.

What bomb is that?

screenprint

Artist: Allen, Davida | Title: What colour is pink? | Date: 1991, July - September | Technique: lithograph, printed in colour, from four stones

Davida Allen (1951–2014)

What colour is pink?

(1991, July - September)

lithograph

Artist: McDiarmid, David. | Title: (What gays do in the privacy of their own homes is their business ... Big business) | Date: (1979) | Technique: offset-lithograph, printed in black ink

David Mcdiarmid (1952–1995)

(What gays do in the privacy of their own homes is their business ... Big business)

((1979))

offset-lithograph

Artist: KEAN, John | Title: What happened to our native forests. (Poster for Environment Protest Street Exhibition and Street Theatre, Morwell, Victoria | Date: (1976) | Technique: linocut, printed in black ink, from one block

John Kean (1871)

What happened to our native forests. (Poster for Environment Protest Street Exhibition and Street Theatre, Morwell, Victoria

((1976))

linocut

Thomas Bluett (1819–1846)

What has Thou vain man to complain of

(1844)