Browse: W

WORKS 421 – 440 of 1138 IMAGES ONLY
Title: What's left | Date: 2000 | Technique: hardground etching and aquatint, printed in colour, from a single copper plate

What's left

(2000)

hardground etching and aquatint

Title: What's left II (responsibility) | Date: 2000 | Technique: hardground etching and aquatint, printed in colour, from two copper plates

What's left II (responsibility)

(2000)

hardground etching and aquatint

Artist: Thorpe, Lesbia. | Title: What's life like out there? | Date: 1980 | Technique: screenprint, printed in colour, from three stencils

Lesbia Thorpe (1919–2009)

What's life like out there?

(1980)

screenprint

Artist: COLEING, Tony | Title: What's next?. | Date: 1980-81 | Technique: etching, printed in black ink, from one plate | Copyright: © Bruce Latimer

Tony Coleing (1942–)

What's next?.

(1980-81)

etching

Artist: MEYER, Bill | Title: What's she thinking of? | Date: 1981 | Technique: screenprint, printed four colours, from three screens (photo-indirect with half-tone and open block-out)

Bill Meyer (1942–)

What's she thinking of?

(1981)

screenprint

Artist: MEYER, Bill | Title: What's she thinking of? | Date: 1981 | Technique: screenprint, printed four colours, from three screens (photo-indirect with half-tone and open block-out) | Copyright: © Bill Meyer

Bill Meyer (1942–)

What's she thinking of? | What on earth is she thinking?

(1981)

screenprint

Artist: Mambo. | Title: What's so funny about peace, love and understanding? | Date: c.1985 | Technique: offset-lithograph, printed in colour, from multiple plates

Mambo. (1981–)

What's so funny about peace, love and understanding?

(c.1985)

offset-lithograph

Artist: WORSTEAD, Paul | Title: What's so wrong with Raymond Terrace. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils, | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

What's so wrong with Raymond Terrace.

(1979)

screenprint

Title: What's wrong with this picture?. | Date: 1983 | Technique: screenprint, printed in colour, from multiple stencils

What's wrong with this picture?.

(1983)

screenprint

Artist: WORSTEAD, Paul | Title: What's your problem Buddy, no. 29. | Date: c.1976 | Technique: screenprint, on collage of offset-lithograph and photocopy | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

What's your problem Buddy, no. 29.

(c.1976)

screenprint

Artist: Waller, Ruth. | Title: Whatever you are, be a man ... | Date: 1977 | Technique: photograpic reproductions

Ruth Waller (1955–)

"Whatever you are, be a man ..."

(1977)

photograpic reproductions

Artist: ACCESS 8 | Title: WHC 19th Anniversay poster | Date: 1991 | Technique: screenprint, printed in red, green and black ink, from three stencils

ACCESS 8

WHC 19th Anniversay poster

(1991)

screenprint

Artist: Megalo Screenprinting Collective. | Title: Wheeeeeeeeeeeeee sky diver corgi | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Megalo Screenprinting Collective. (1980–)

Wheeeeeeeeeeeeee sky diver corgi

(1981)

screenprint

Artist: BALDESSIN, George | Title: Wheel of fortune. | Date: 1964 | Technique: etching, printed in black ink, from one plate

George Baldessin (1939–1978)

Wheel of fortune.

(1964)

etching

Artist: BALDESSIN, George | Title: Wheel of fortune. | Date: 1964 | Technique: etching, printed in black ink, from one plate

George Baldessin (1939–1978)

Wheel of fortune.

(1964)

etching

Artist: BALDESSIN, George | Title: Wheel of life. | Date: 1965 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

Wheel of life.

(1965)

etching and aquatint

Artist: PRESTON, Margaret | Title: Wheelflower. | Date: 1929 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

Wheelflower. | Stenocarpus wheelflower Australian

(1929)

woodcut

Artist: Allen, Joyce. | Title: (Wheels and knobs). | Date: (1960s) | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Joyce Allen (1916–1992)

(Wheels and knobs).

((1960s))

etching and aquatint

Artist: Nedelkopoulos, Nicholas. | Title: When Beauty, is just as important as the lighting | Date: 1976 | Technique: etching, printed in black ink, from one plate

Nicholas Nedelkopoulos (1955–)

When Beauty, is just as important as the lighting

(1976)

etching

Artist: Heyes, Ken. | Title: When I came out of the study, I found him at the mouth of the cave. He was stretched out on the sand, where he was tracing clumsily and erasing a string of signs that, like the letters in our dreams; seem on the verge... | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

When I came out of the study, I found him at the mouth of the cave. He was stretched out on the sand, where he was tracing clumsily and erasing a string of signs that, like the letters in our dreams; seem on the verge...

(1984)

photocopy