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WORKS 221 – 240 of 401 IMAGES ONLY

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Title: View of part of the town of Parramatta in New South Wales. Taken from the south side of the river. | Date: 1 February 1813 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

Title: View of part of the town of Parramatta, in New South Wales. Taken from the north side of the River. | Date: 1812 | Technique: etching and engraving, printed in black ink, from one copper plate

Artist: Earle, Augustus. | Title: View of Point Piper, Port Jackson. | Date: 10 August 1830 (imprint) | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Artist: Bull, Norma C. | Title: View of Port Arthur. | Date: 1937-38 | Technique: etching, printed in black ink, from one plate; pencil and brush and ink additions

Title: View of Port Bowen, from the hills behind the Watering Gully. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

Artist: Pye, John. | Title: View of Port Jackson, taken from the South Head. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

Artist: Lycett, Joseph. | Title: View of Port Macquarie at the entrance of the River Hastings, New South Wales. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Artist: Lycett, Joseph. | Title: View of Roseneath Ferry, taken from the east side, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Artist: Preston, Walter. | Title: View of Sharks Bay, in New South Wales. Taken from Vinegar Hill. | Date: 30 November 1812 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

Title: View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

Artist: Courier, Jack. | Title: View of St Ives, Cornwall. | Date: c.1955 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: Furlonger, Joe. | Title: View of St. Pats 3 | Date: 1992 | Technique: softground etching and drypoint, printed in black ink, from one plate

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (clean plate) | Date: 1992 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (dark plate) | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Artist: Haefliger, Paul. | Title: View of Sydney | Date: 1933 | Technique: woodcut, printed in colour, from multiple blocks

Artist: Cooke, George. | Title: View of Sydney and the mouth of the Parramatta. | Date: 1 December 1811 (imprint) | Technique: engraving, printed in black ink, from one copper plate; subsequently hand-coloured in water-colour

Artist: Boys, Thomas Shotter. | Title: View of Sydney from St. Leonards | Date: 11 September 1843 (imprint) | Technique: lithograph, printed in colour, from multiple stones; hand-coloured

Artist: Lycett, Joseph. | Title: View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Artist: Claux, Eugene. | Title: (View of Terrace house backyards, Sydney). | Date: 1946 | Technique: etching and aquatint, printed in black ink with plate-tone, from one copper plate

Artist: Rowe, George. | Title: View of the City of Melbourne. | Date: 1858 | Technique: lithograph, printed in colour, from multiple stones

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