Browse: T

WORKS 1781 – 1800 of 7788 IMAGES ONLY

C. Fitzgerald

The Dancers of Gondolf Castle (after Corot).

Mezzotint

Julian Ashton (1851–1942)

The Dancing Girl.

F. Millward Grey (1899–1957)

The Dancing Girl.

Artist: SCA STUDENTS | Title: The Dangerous Game of Mirrors exhibition...Sydney College of the Arts. | Date: 1982 | Technique: screenprint, printed in colour, from two stencils

SCA STUDENTS

The Dangerous Game of Mirrors exhibition...Sydney College of the Arts.

(1982)

screenprint

Artist: WALKER, Murray | Title: The dark at the end of the day. | Date: 1966 | Technique: etching and aquatint, printed in black ink, from one plate

Murray Walker (1937–)

The dark at the end of the day.

(1966)

etching and aquatint

Franz Kempf (1926–2020)

The dark changes.

Franz Kempf (1926–2020)

The dark changes.

Artist: Kempf, Franz. | Title: The dark changes. | Date: 1965 | Technique: aquatint and open-biting, printed in black ink, from one plate

Franz Kempf (1926–2020)

The dark changes.

(1965)

aquatint and open-biting

Artist: Kempf, Franz. | Title: The dark changes | Date: 1964 | Technique: etching, aquatint and roulette, printed with plate te | Copyright: © Franz Kempf

Franz Kempf (1926–2020)

The dark changes

(1964)

etching

Franz Kempf (1926–2020)

The Dark Changes and The Baal Shem.

Artist: Waller, Christian. | Title: The Daughter of the Sun | Date: 1932 | Technique: lithograph, printed in black ink, from one zinc plate

Christian Waller (1894–1954)

The Daughter of the Sun

(1932)

lithograph

Elaine Haxton (1909–1999)

The Dawn.

Artist: Slawik, Bernard. | Title: The day after tomorrow | Date: 1981 | Technique: etching, aquatint printed with plate-tone

Bernard Slawik (1904–1991)

The day after tomorrow

(1981)

etching

Margaret Kemarre Turner (1938–)

The Day is Done

(2004)

screenprint

John Goodchild (1898–1980)

The Day Shift.

Artist: Goodhart, J.C. | Title: The day shift, Proprietary Mine, Broken Hill | Date: 1926 | Technique: etching and aquatint, printed in brown ink, from one plate with pencil addition

J.C. Goodhart (1873–1952)

The day shift, Proprietary Mine, Broken Hill

(1926)

etching and aquatint

John Goodchild (1898–1980)

The Day Shift, Propty. Mine, Broken Hill.

etching

Artist: COLEING, Tony | Title: The de flower machine, or study for a sculpture. | Date: 1975 | Technique: screenprint, printed in colour, from five stencils

Tony Coleing (1942–)

The de flower machine, or study for a sculpture.

(1975)

screenprint

Artist: COLEING, Tony | Title: The de flower machine, or study for a sculpture. | Date: 1975 | Technique: screenprint, printed in colour, from five stencils

Tony Coleing (1942–)

The de flower machine, or study for a sculpture.

(1975)

screenprint

Artist: Gleeson, William. | Title: The Dead Christ | Date: 1955 | Technique: linocut, printed in colour, from four blocks | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The Dead Christ

(1955)

linocut