Browse: T

WORKS 1701 – 1720 of 7750 IMAGES ONLY

David Strachan (1919–1970)

The criminal.

(1951)

David Strachan (1919–1970)

The Criminal

(1951)

etching

David Strachan (1919–1970)

The Criminal

(1951)

etching

David Strachan (1919–1970)

The Criminal

(1951)

etching

David Strachan (1919–1970)

The criminal, vignette #1.

(1951)

David Strachan (1919–1970)

The criminal, vignette #2.

(1951)

George Finey (1895–1987)

The Crimson Path.

Lewis Baumer (1870–1963)

The Crinoline.

Artist: AMOR, Rick | Title: The critic / Giles Auty. | Date: 1987 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The critic / Giles Auty.

(1987)

woodcut

Artist: Gleeson, William. | Title: The cross cut saw | Date: 1965 | Technique: etching, printed in black ink, from one plate | Copyright: This work appears on screen courtesy of the artist

William Gleeson (1927–1999)

The cross cut saw

(1965)

etching

William Gleeson (1927–1999)

The Cross Cut Saw, Victorian Alps.

Reginald Green (1884–1971)

The Cross, Chichester.

etching

Henri Van Raalte (1881–1929)

The Crosscut.

(c.1920)

Herbert Gallop (1890–1958)

The Crossing.

Artist: LINDSAY, Lionel | Title: The crossing | Date: 1923 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The crossing | Spanish river scene

(1923)

etching

Vincent Brown (1901–2001)

The crossing, Labrador.

(1930)

etching

Salvatore Zofrea (1946–)

The Crows Nest Bargain Centre

(1994-1999)

woodcut

The cruise of the Freak : a narrative of a visit to the islands in Bass and Banks Straits with some account of the islands / by the Rev. Canon Brownrigg. Launceston, Tas. : J.S.V. Turner, printer : Sold by Walch Brothers & Birchall [etc], [1872]

(1872)

lithograph

The Crumpleton experiments

black and white photocopy with colour digital printed cover

John Goodchild (1898–1980)

The Crushers, Broken Hill.