Browse: T

WORKS 1541 – 1560 of 7750 IMAGES ONLY
Artist: PROUT, John Skinner | Title: The city of Sydney, N.S.W. from behind Lavender's Bay, North Shore. | Date: 1844 | Technique: lithograph, printed in colour, from two stones; additional hand-colouring

John Skinner Prout (1805–1876)

The city of Sydney, N.S.W. from behind Lavender's Bay, North Shore. | Panorama of Sydney, from the Government Paddock, Parramatta

(1844)

lithograph

Artist: Nicholas, William. | Title: The city rate collector (John Rowley). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The city rate collector (John Rowley).

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The city rate collector (John Rowley) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The city rate collector (John Rowley)

(1847)

pen-lithograph

Artist: Syme, Eveline | Title: The city skyline | Date: about 1928 | Technique: linocut, printed in colour inks, from five blocks (pink yellow, light blue, cobalt green, burnt Sienna, black)

Eveline Syme (1888–1961)

The city skyline

(about 1928)

linocut

Artist: GILL, S.T. | Title: The city terminus of the M. & H.B railway company. | Date: 1855-56 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The city terminus of the M. & H.B railway company.

(1855-56)

lithograph

Mabel Pye (1894–1982)

The city window.

linocut

Title: The claim disputed. | Date: c. 1889 | Technique: lithograph, printed in colour, from two stones (black and buff); additional hand-colouring

The claim disputed.

(c. 1889)

lithograph

Artist: GILL, S.T. | Title: The claim disputed. | Date: 1852 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The claim disputed.

(1852)

lithograph

Artist: Grieve, Robert. | Title: (The clarinet player) | Date: 1958 | Technique: lithograph, printed in blue/black ink, from one stone

Robert Grieve (1924–2006)

(The clarinet player)

(1958)

lithograph

Artist: Ashton, Julian. | Title: The class room. | Date: 1893 | Technique: etching, printed in blue ink with plate-tone, from one copper plate

Julian Ashton (1851–1942)

The class room.

(1893)

etching

Pamela Griffith (1943–)

The classroom.

(1994)

hardground-etching and aquatint

The clearing, Balingup.

wood-engraving

Artist: Dickerson, Robert. | Title: The client | Date: 1990 | Technique: lithograph, printed in black ink, from one stone [or plate]

Robert Dickerson (1924–2015)

The client

(1990)

lithograph

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

Henri Van Raalte (1881–1929)

The cliff

(c.1927)

aquatint

Henri Van Raalte (1881–1929)

The cliff [1].

(c.1927)

aquatint

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The clipped wing | Depression | Melancholy | The broken wing

(1931)

wood-engraving

Artist: Conder, Charles. | Title: The cloak. | Date: c.1906 | Technique: etching, printed in black ink with plate-tone, from one plate

Charles Conder (1868–1909)

The cloak.

(c.1906)

etching

Norman Lindsay (1879–1969)

The cloak.

(1929)

drypoint and etching

William Lee Hankey (1869–1952)

The clock tower.

Gayfield Shaw (1885–1961)

The clock tower

(c.1921)

etching