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WORKS 1381 – 1400 of 7788 IMAGES ONLY

Norman Lindsay (1879–1969)

The call of humanity

offset lithograph

Pamela Griffith (1943–)

The calling.

(1994)

hardground-etching and aquatint

Brett Colquhoun (1958–)

The Camera. | Light & photography: a suite of 10 etchings

(2003)

etching

Fred Campbell (1851–1930)

The Camp.

Alfred Edward Warner (1879–1968)

The Camp.

etching

The camp.

(1934)

monotype

Tim Storrier (1949–)

The camp at Relay

(1977)

Leslie James Walker (1894–1951)

The Camp Beside the Sea.

Artist: Long, Sydney. | Title: The camp in the forest | Date: 1920 | Technique: softground-etching, printed in warm black ink, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The camp in the forest

(1920)

softground-etching

Japanese printmaker.

The canal.

Helen Stewart (1900–1983)

The canal.

H.P. Hoggitt

The canal.

Will Ashton (1881–1963)

The Canal Brescon Martigues, France.

etching

Roland Robinson (1912–1992)

The canoe and the morning star

(1956)

Artist: White, Robin. | Title: The canoe is in the bareaka | Date: 1983 | Technique: woodcut, printed in colour, from four blocks (black and three brown inks)

Robin White (1946–)

The canoe is in the bareaka

(1983)

woodcut

Edward Heffernan (1912–1992)

The canoe tree.

James Crisp (1879–1962)

The canoer.

Len French (1928–2017)

The canon.

(1970)

screenprint

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Canon's niece, Spain

(1919)

drypoint

Frank Medworth (1892–1947)

The cape - Bullfighting no 2.

(1926)

engraving