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WORKS 1261 – 1280 of 7788 IMAGES ONLY

Gladys Owen (1889–1960)

The Bridge workshops.

(1931 (exhibited))

Artist: Long, Sydney. | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The bridge, Avoca

(1926)

line-etching and drypoint printed in black ink with plate-tone

Bim Hilder (1909–1990)

The Bridge, concrete.

(c.1930)

etching

Sydney Long (1871–1955)

The bridge, Narrabeen.

Artist: Perry, Adelaide. | Title: The Bridge, October 1929 | Date: 1930 | Technique: linocut, printed in black ink, from one block | Copyright: © Adelaide Perry

Adelaide Perry (1891–1973)

The Bridge, October 1929

(1930)

linocut

Molly O'Shea (1890–)

The Bridge, September.

F. Sidney Walker (1888–1972)

The Bridge, South Abutment, May 1929.

(1929)

Lionel Lindsay (1874–1961)

The Bridgewater Mill.

Geoffrey Ingleton (1908–1998)

The brig Daphne.

(1930s)

etching

Geoffrey Ingleton (1908–1998)

The brig Frederick..

(1930s)

etching

Title: The brigantine | Date: 1940s | Technique: etching, printed in blue ink, from one plate

The brigantine

(1940s)

etching

Gayfield Shaw (1885–1961)

The Brisbane Laneway.

Jessie Traill (1881–1967)

The Brisbane River.

Artist: Debenham, Pam. | Title: The British Show Forum. | Date: 1985 | Technique: screenprint, printed in red ink, from one stencil

Pam Debenham (1955–)

The British Show Forum.

(1985)

screenprint

Artist: Debenham, Pam. | Title: The British Show Forum. | Date: 1985 | Technique: screenprint, printed in colour, from one stencil

Pam Debenham (1955–)

The British Show Forum.

(1985)

screenprint

Artist: Debenham, Pam. | Title: The British Show Forum. Power Foundation. | Date: 1985 | Technique: screenprint, printed in blue ink, from one stencil

Pam Debenham (1955–)

The British Show Forum. Power Foundation.

(1985)

screenprint

Artist: Broadsheet Publishers. | Title: The Broadsheet 1: Napalm Sunday. | Date: 1967 | Technique: relief, printed in black ink, each from one block

Broadsheet Publishers. (1967–1971)

The Broadsheet 1: Napalm Sunday.

(1967)

relief

Artist: Turner, A. | Title: The Broadsheet 2: The Great Australian Summer - 9 individual prints by 4 artists on one sheet. | Date: 1967 | Technique: relief, printed in colour, from two blocks,

A. Turner (1967–)

The Broadsheet 2: The Great Australian Summer - 9 individual prints by 4 artists on one sheet.

(1967)

relief

Artist: Petty, Bruce. | Title: The Broadsheet 3: Where are all the flowers going - 3 individual prints by 3 artists on one sheet. | Date: 1968 | Technique: relief, printed in colour, from two blocks | Copyright: The Alan Oldfield Bequest

Bruce Petty (1929–2023)

The Broadsheet 3: Where are all the flowers going - 3 individual prints by 3 artists on one sheet.

(1968)

relief

Artist: Counihan, Noel. | Title: The Broadsheet 4: Up you, Cazaly! - 6 individual prints by 5 artists on one sheet. | Date: 1968 | Technique: relief-etching, printed in colour, from two blocks

Noel Counihan (1913–1986)

The Broadsheet 4: Up you, Cazaly! - 6 individual prints by 5 artists on one sheet.

(1968)

relief-etching