Browse: T

WORKS 1161 – 1180 of 7788 IMAGES ONLY

Pamela Griffith (1943–)

The Boobook Owl.

(1994)

hardground-etching and aquatint

William Lee Hankey (1869–1952)

The Book.

Arthur Baldwinson (1908–1969)

The book nook - an impression.

(c.1930)

linocut

Title: The Book of Slab. | Date: 1983

The Book of Slab.

(1983)

Ted Hopkins (1949–)

The book of Slab, Melbourne, Champion Books. A book containing [112] pp with an extra copy of Slab record.

(1983)

Artist: HOPKINS, Ted | Title: The book of Slab, Melbourne, Champion Books. A book containing [112] pp with an extra copy of Slab record. | Date: 1983

Ted Hopkins (1949–)

The book of Slab, Melbourne, Champion Books. A book containing [112] pp with an extra copy of Slab record.

(1983)

Artist: HOPKINS, Ted | Title: The book of Slab, Melbourne, Champion Books. A book containing [112] pp with an extra copy of Slab record. | Date: 1983

Ted Hopkins (1949–)

The book of Slab, Melbourne, Champion Books. A book containing [112] pp with an extra copy of Slab record.

(1983)

Artist: Jones, Tim. | Title: The book of water | Date: 1994 | Technique: lithograph, printed in dark brown ink, from one stone

Tim Jones (1962–)

The book of water

(1994)

lithograph

The bookfellow [fifth number]

(31 May 1899)

relief print

The bookfellow [first number]

(January 7 1899)

relief print

The bookfellow [fourth number]

(29 April 1899)

relief print

The bookfellow [second number]

(18 February 1899)

relief print

The bookfellow [third number]

(25 March 1899)

relief print

Artist: Cox, Roy. | Title: The bookshelf miscellany. | Date: 1933 | Technique: woodcut, printed in blue ink, from one block; letterpress text

Roy Cox (1903–1976)

The bookshelf miscellany.

(1933)

woodcut

Salvatore Zofrea (1946–)

The bordello, Barcelona

(1994-1999)

woodcut

Artist: UNKNOWN | Title: The Border Ranges must be a national park | Date: c.1975

UNKNOWN

The Border Ranges must be a national park

(c.1975)

Artist: Brown, George. | Title: The borrowed barrow. | Date: (1920s) | Technique: etching and aquatint in black ink with plate-tone, from one plate

George Brown (1895–1977)

The borrowed barrow.

((1920s))

etching and aquatint in black ink with plate-tone

Sydney Long (1871–1955)

The Boston Stump.

(c.1937)

line-etching

Edith C. Horrocks (1920–)

The Bottle and Class, Sydney Harbour.

Gustave Adrian Barnes (1877–1921)

The bottle dungeon, near MacDuff Castle, Fifeshire.

etching