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WORKS 5581 – 5600 of 7816 IMAGES ONLY

Lionel Lindsay (1874–1961)

The White Peacock.

Artist: LINDSAY, Lionel | Title: The white Peacock | Date: 1924 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The white Peacock

(1924)

wood-engraving

A.B. Webb (1887–1944)

The White Sail.

Artist: Webb, A.B. | Title: The white sail | Date: 1925 | Technique: woodcut, printed in colour in the Japanese manner, from multiple blocks

A.B. Webb (1887–1944)

The white sail

(1925)

woodcut

Rupert Bunny (1864–1947)

The White Sofa.

Artist: BUNNY, Rupert | Title: (The white sofa). | Date: c.1898 | Technique: monotype, printed in colour, from one zinc plate

Rupert Bunny (1864–1947)

(The white sofa).

(c.1898)

monotype

Artist: LINDSAY, Lionel | Title: The white stork | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The white stork | The crane | The white crane

(1925)

wood-engraving

Ben Quilty (1973–)

The white ute

(2004)

etching and aquatint

Artist: Quilty, Ben. | Title: The white ute [A]. | Date: 2004 | Technique: etching and aquatint, printed in black ink, from two plates

Ben Quilty (1973–)

The white ute [A].

(2004)

etching and aquatint

Artist: Quilty, Ben. | Title: The white ute [B]. | Date: 2004 | Technique: etching and aquatint, printed in black ink, from two plates

Ben Quilty (1973–)

The white ute [B].

(2004)

etching and aquatint

Sarah Stone (1762–1844)

The white vented crow.

(29 December 1789 (imprint))

Gayfield Shaw (1885–1961)

The White Way.

Gayfield Shaw (1885–1961)

The White Way: a memento of our tour.

(1925)

etching

Artist: Megalo International Screenprinting Collective. | Title: The whitewash of the year, Bitumen River Gallery | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Megalo International Screenprinting Collective. (1980–)

The whitewash of the year, Bitumen River Gallery

(1981)

screenprint

Artist: Honybun, Elizabeth. | Title: The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound. | Date: (1978) | Technique: offset-lithograph on rubber stamps

Elizabeth Honybun (1953–1984)

The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound.

((1978))

offset-lithograph on rubber stamps

Artist: Lasisi, David. | Title: The whore | Date: 1976 | Technique: screenprint, printed in brown ink, from one stencil

David Lasisi (1955–)

The whore

(1976)

screenprint

Artist: Lasisi, David. | Title: The whore | Date: not dated | Technique: screenprint, printed in purple ink, from one stencil

David Lasisi (1955–)

The whore

(not dated)

screenprint

Artist: Fisher, John | Title: The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp. | Date: 1978

John Fisher (1921–)

The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp.

(1978)

Martin Stainforth (1866–1957)

The Widower wood engraving. after Sir Luke Fildes, R.A.

Jacqueline Hick (1919–2004)

The widows.

(1944)

etching and aquatint