Browse: T

WORKS 5061 – 5080 of 7760 IMAGES ONLY
Artist: BALDESSIN, George | Title: The table. | Date: 1974 | Technique: etching and aquatint, printed in colour ink, from one shaped plate

George Baldessin (1939–1978)

The table.

(1974)

etching and aquatint

Artist: Green, Mike. | Title: The table. | Date: 1986 | Technique: screenprint, printed in colour, from 20 stencils

Mike Green (1941–)

The table.

(1986)

screenprint

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land. | Date: 1825 | Technique: etching, and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land.

(1825)

etching

Artist: Lycett, Joseph. | Title: The Table Mountain, from the end of Jericho Plains, Van Diemen's Land | Date: 01 August 1824 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Joseph Lycett (1775–1828)

The Table Mountain, from the end of Jericho Plains, Van Diemen's Land

(01 August 1824)

lithograph

Luigi Kasimir (1881–1962)

The Tal, Munich.

Will Dyson (1880–1938)

The Talkies-Science: 'Alas poor posterity, can you ever forgive me - I've gone and made the bad actor eternal'.

Artist: Proctor, Thea. | Title: The tame bird | Date: 1916 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The tame bird

(1916)

lithograph

Praxis Poster Workshop. (1982–)

The Tamil Association of W.A. proudly presents Padmashri Sanjukla Panigrahi

screenprint

Artist: Mahoney, Will. | Title: The Tandem act | Date: 1931 | Technique: drypoint, printed in black ink, from one plate

Will Mahoney (1905–1989)

The Tandem act

(1931)

drypoint

Artist: Russell,, Deborah. | Title: The tank | Date: 1988 | Technique: lithograph, printed in blue ink, from one plate

Deborah Russell, (1951–)

The tank

(1988)

lithograph

Artist: Rawling, Charles W. | Title: The tanks, Broken Hill Proprietary Mine | Date: 1925 | Technique: etching, printed in brown ink with plate-tone, from one plate

Charles W. Rawling (1901–1996)

The tanks, Broken Hill Proprietary Mine

(1925)

etching

Artist: SELLBACH, Udo | Title: The target | Technique: lithograph, printed in colour, from multiple stones

Udo Sellbach (1927–2006)

The target

lithograph

Artist: SELLBACH, Udo | Title: The target is man | Date: 1966 | Technique: etching, aquatint

Udo Sellbach (1927–2006)

The target is man

(1966)

etching

Udo Sellbach (1927–2006)

The Target is man

(1966)

Artist: SELLBACH, Udo | Title: The target is man (to dump) | Technique: etching and aquatint, printed in black ink, from one plate

Udo Sellbach (1927–2006)

The target is man (to dump)

etching and aquatint

Artist: SELLBACH, Udo | Title: The target is man (to ignore) | Date: 1965-66 | Technique: etching and aquatint, printed in black ink, from one plate

Udo Sellbach (1927–2006)

The target is man (to ignore)

(1965-66)

etching and aquatint

Artist: SELLBACH, Udo | Title: The Target is man (to use) | Technique: etching and aquatint, printed in black ink, from one plate

Udo Sellbach (1927–2006)

The Target is man (to use)

etching and aquatint

Udo Sellbach (1927–2006)

The Target is Man (triptych) Etching and aquatint, 10 x 27, artist's proof, 1965. Available from Udo Sellbach.

C.H. Bartlett (1860–1940)

The Tartar Wall, Pekin.

Henry Dowling (1810–1885)

The Tasmanian Journal of natural science, agriculture, statistics Vol II.

(1846)

letterpress and lithographs