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WORKS 4921 – 4940 of 7816 IMAGES ONLY
Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: aquatint and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

aquatint and drypoint

Thomas Friedensen (1879–1931)

The Spit, Middle Harbour.

David Barker (1888–1946)

The Spit, Sydney.

Artist: GOODCHILD, John | Title: The Spit, Sydney | Date: 1922 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

The Spit, Sydney

(1922)

etching

Artist: MACKINOLTY, Chips | Title: The sports | Date: (1977) | Technique: screenprint, printed in colour, from multiple stencils

Chips Mackinolty (1954–)

The sports

((1977))

screenprint

Artist: WORSTEAD, Paul | Title: The Sports (Indian and Chook). | Date: 1978 | Technique: screenprint, printed in colour, from five stencils, | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Sports (Indian and Chook).

(1978)

screenprint

Artist: WORSTEAD, Paul | Title: The Sports Sondra | Date: 1981 | Technique: offset-lithograph, printed in colour, from two plates | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Sports Sondra

(1981)

offset-lithograph

Artist: Nicholas, William. | Title: The sportsman (John Rose Holden). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The sportsman (John Rose Holden).

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The sportsman (John Rose Holden) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The sportsman (John Rose Holden)

(1847)

pen-lithograph

Artist: Glover, Allan. | Title: The Spreading Bay fig tree | Date: 1931 | Technique: etching and aquatint, printed in brown ink, from one plate

Allan Glover (1900–1984)

The Spreading Bay fig tree

(1931)

etching and aquatint

Herbert Gallop (1890–1958)

The spreading Ti-Tree.

(1920)

John Wiseman (1926–)

The Sprite.

Ethleen Palmer (1906–1958)

The Squall.

Artist: Mortensen, Kevin. | Title: The squall | Date: 1994 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Kevin Mortensen

Kevin Mortensen (1939–2023)

The squall

(1994)

lithograph

Gladys Gibbons (1903–1969)

The Square.

Artist: Prior, Ted. | Title: The square hole | Date: 1985 | Technique: etching and aquatint, printed in colour

Ted Prior (1945–)

The square hole

(1985)

etching and aquatint

Artist: Rooney, Elizabeth. | Title: The square with travellers | Date: 1963 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Elizabeth Rooney (1929–2016)

The square with travellers

(1963)

etching and aquatint

Elizabeth Rooney (1929–2016)

The Square with Travellers Etching on copper, 11 x 9, 8/11, 1963. From a series, "Goodbye to All This". Available from Elizabeth Rooney.

Benjamin Duterrau (1767–1851)

The squire's door.

(4 August 1790 (imprint))