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WORKS 4301 – 4320 of 7816 IMAGES ONLY

Sydney Long (1871–1955)

The quiet corner.

Artist: AMOR, Rick | Title: The quiet days | Date: 2000, August | Technique: lithograph, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Rick Amor (1948–)

The quiet days

(2000, August)

lithograph

Artist: Trenfield, Wells. | Title: The quiet room with Ainslie Reaves | Date: 1980s | Technique: lithograph, printed in black ink, from one stone

Wells Trenfield (1949–)

The quiet room with Ainslie Reaves

(1980s)

lithograph

James Crisp (1879–1962)

The quintette.

(1923)

Artist: Forthun, Louise. | Title: The quivering mountain. | Date: 2001 | Technique: etching, printed in yellow ink, from one copper plate

Louise Forthun (1959–)

The quivering mountain.

(2001)

etching

Geraldine Rede (1874–1943)

[the rabbits have nibbled].

(1906)

woodcut

Artist: HANRAHAN, Barbara | Title: The race | Date: 1974 | Technique: etching, printed in black ink with plate-tone comprising images from three plates

Barbara Hanrahan (1939–1991)

The race

(1974)

etching

Allan Jordan (1898–1982)

The Race.

Charles Blackman (1928–2018)

The race.

(1968 (dated))

Henry Burn (1807–1884)

[The race horse 'Archer'].

(11 May 1864 (newspaper reference))

F. Millward Grey (1899–1957)

The Rackam Gum. | The Rackham Gum.

Alun Leach-Jones (1937–2017)

The radiant strand.

(1988)

screenprint

Frank Short (1857–1945)

The Raft on the Rhine.

(by 1926)

etching

Fred Finley (1894–1968)

The Ragpickers of the Point Neuf.

Herbert Rose (1890–1937)

The Railway Bridge.

Malcolm Helsby (1888–)

The Railway Station from Bank St.

Artist: Spowers, Ethel. | Title: The rain cloud. | Date: c.1931 | Technique: linocut, printed in colour, from four blocks

Ethel Spowers (1890–1947)

The rain cloud.

(c.1931)

linocut

Henri Van Raalte (1881–1929)

The rain cloud.

(c.1924)

drypoint

Roland Robinson (1912–1992)

The rainbow serpent

(1956)

Artist: Barwell, Jennifer. | Title: (The Raising of Lazarus). | Date: (1955) | Technique: softground etching printed in brown ink with plate-tone, from one plate

Jennifer Barwell (1932–)

(The Raising of Lazarus). | The death of Lazarus

((1955))

softground etching printed in brown ink with plate-tone