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WORKS 4101 – 4120 of 7816 IMAGES ONLY
Artist: Jeffcoat, Kirsten. | Title: The Pink Palace | Date: 1983 | Technique: lithograph, printed in black ink, from one stone [or plate]

Kirsten Jeffcoat (1961–)

The Pink Palace

(1983)

lithograph

Artist: Davies, L. Roy. | Title: The Pioneer. | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

The Pioneer.

(1930)

wood-engraving

William Bustard (1894–1973)

The Pioneer (Pencil Drawing).

Artist: LINDSAY, Lionel | Title: The pipe of baccy | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pipe of baccy

(1924)

etching

James Flett (1906–1986)

The Pirate.

Will Mahoney (1905–1989)

The pitch.

Sidney Nolan (1917–1992)

The pitiless wastes.

photo-lithograph

Ethel Carrick (1872–1952)

The Place, St. Medard, Paris.

(about 1932)

collotype

Yvonne Gooding (1926–)

The plain country.

(1979)

lithograph

Artist: Nixon, F.R. | Title: The plains from Glen Osmond Mine, Adelaide. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The plains from Glen Osmond Mine, Adelaide.

(1845)

etching

William Charles Piguenit (1836–1914)

The Plan of Salmon Ponds and its vicinity. Hobart, 1867.

(1867)

lithographs

Artist: LINDSAY, Lionel | Title: The plant auction, Hunter Street | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The plant auction, Hunter Street | The old plant auction

etching

Lionel Lindsay (1874–1961)

The plant auction, Hunter Street, (Mezzotint).

Artist: Dyson, Will. | Title: The planter's daughter. | Date: 1930 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Will Dyson (1880–1938)

The planter's daughter.

(1930)

drypoint

Artist: Hamel, Julius. | Title: The plat or chamber of the United Extended Band of Hope Mine, Ballarat. | Date: 1867 | Technique: lithograph, printed in colour, from two stones

Julius Hamel (1823–1894)

The plat or chamber of the United Extended Band of Hope Mine, Ballarat.

(1867)

lithograph

S.T. Gill (1818–1880)

The plates are: City Railway Terminus, Sydney; Circular Quay, Sydney; General Post Office, Sydney; Dry Dock, Balmain; Avenue Approach to Botanical Gardens, Sydney; Australian Club House, Sydney.

F. Harvey (by 1932)

The Players.

William Charles Piguenit (1836–1914)

The Plenty near the bend

(1867)

lithograph

Artist: Spowers, Ethel. | Title: The plough. | Date: 1928 | Technique: linocut, printed in colour, from three blocks (light green, mauve, cobalt blue)

Ethel Spowers (1890–1947)

The plough.

(1928)

linocut

Hans Heysen (1877–1968)

The plough.

(1918)

etching