Browse: T

WORKS 3541 – 3560 of 7816 IMAGES ONLY

Normand H. Baker (1908–1955)

The model. [pencil].

(1936 (exhibited).)

Artist: WORSTEAD, Paul | Title: The Modern Nonsense and Sheila | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Modern Nonsense and Sheila

(1978)

screenprint

Artist: Platt, Austin. | Title: The Modern School, Perth | Date: 1937 | Technique: etching, printed in black ink, from one plate

Austin Platt (1912–2003)

The Modern School, Perth

(1937)

etching

Artist: Hilder, Bim. | Title: The moderne pyramid. | Date: c.1930 | Technique: etching and aquatint, printed in black ink, from one plate

Bim Hilder (1909–1990)

The moderne pyramid. | Hyde Park, war memorial under construction. The modern pyramid.

(c.1930)

etching and aquatint

Artist: Lasisi, David. | Title: The moieties | Date: not dated | Technique: screenprint, printed in blue/green ink, from one stencil

David Lasisi (1955–)

The moieties

(not dated)

screenprint

Artist: UNKNOWN | Title: The Molly Marvel show. Everthing you wanted to know about sexism and were afraid to ask. Woman Action Theatre | Date: 1978 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

The Molly Marvel show. Everthing you wanted to know about sexism and were afraid to ask. Woman Action Theatre

(1978)

screenprint

Henri Van Raalte (1881–1929)

The Monarch, Kalgan River, W.A.

(1918)

drypoint

Artist: LINDSAY, Lionel | Title: The monastery, Guadalupe | Date: 1927 | Technique: drypoint printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The monastery, Guadalupe

(1927)

drypoint printed in brown ink with plate-tone

Victor Cobb (1876–1945)

The Monier Bridge, Anderson Street.

(1933)

etching

Artist: Wienholt, Anne. | Title: The monkey | Technique: line-engraving, printed in black ink with plate-tone, from one copper plate

Anne Wienholt (1920–2018)

The monkey

line-engraving

Artist: Adams, Mae. | Title: The monoliths | Date: 1986 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Mae Adams. Licensed by VISCOPY, Australia

Mae Adams (1952–)

The monoliths

(1986)

lithograph

Artist: BOYD, Arthur | Title: The monster. | Date: 1970 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The monster.

(1970)

etching

Artist: Tulloch, David. | Title: The monster meeting [text] | Date: 1852 | Technique: letterpress, printed in black ink

David Tulloch (1829–1869)

The monster meeting [text]

(1852)

letterpress

Malcolm Helsby (1888–)

The Monument.

Len French (1928–2017)

The monument.

(1970)

screenprint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Band, David. | Title: The mood that passes through you | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you

(1996)

screenprint

Artist: Band, David. | Title: The mood that passes through you II | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you II

(1996)

screenprint