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WORKS 3461 – 3480 of 7816 IMAGES ONLY
Artist: Gill, S.T. | Title: The Melbourne Exhibition Building, northwest angle. | Date: 1854 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The Melbourne Exhibition Building, northwest angle.

(1854)

lithograph

Victor Cobb (1876–1945)

The Melbourne Grammar School.

(1927)

etching

Victor Cobb (1876–1945)

The Melbourne High School, South Yarra.

(1936)

etching

Sheila Mcdonald (1902–1971)

The Melting Furnace pen, ink and crayon Not for Sale Lent by Austral Bronze Co. Ltd.

Artist: Storrier, Tim. | Title: The memory - Camp 7 | Date: 1977 | Technique: softground etching, printed in black ink, from one plate | Copyright: © Tim Storrier

Tim Storrier (1949–)

The memory - Camp 7

(1977)

softground etching

The men of Victoria

(c.1859)

lithographs

L. Bouet (1926–)

The Mender of Pots and Pans.

Lionel Lindsay (1874–1961)

The mendicant.

Lionel Lindsay (1874–1961)

The Mendicant

(1917)

etching

Comedy Costume Co. (1912–)

The Merry Madcaps.

letterpress

Ruth Ainsworth (1900–2004)

The Merry-go-round.

(c.1927)

linocut

Bruno Leti (1941–)

The merry-go-round.

(1988)

screenprint

Yosl Bergner (1920–2017)

The message

(1995)

screenprint

Yosl Bergner (1920–2017)

The metamorphosis [print 9]

(1979)

screenprint

Artist: RICHARDSON, Berris | Title: The Metamorphosis of Mrs Morris III (self portrait) | Date: 1974 | Technique: lithograph, printed in black ink, from one stone [or plate]

Berris Richardson (1945–1988)

The Metamorphosis of Mrs Morris III (self portrait)

(1974)

lithograph

Artist: WILLIAMS, Fred | Title: The Metropolitan | Date: 1955 | Technique: etching, aquatint, engraving and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The Metropolitan

(1955)

etching

J.E. Alphege Brewer (1881–1946)

The Meuse.

Title: The Mewstone, bearing S.E., as seen from the vessel between the rock and the land. | Date: 1831 | Technique: engraving, printed in black ink, from one copper plate

The Mewstone, bearing S.E., as seen from the vessel between the rock and the land.

(1831)

engraving

Vic O'Connor (1918–2010)

The midday Penrod, Paris.

(1980)

linocut

Ellis St John (1874–1949)

The Milking Shed.

etching