Browse: T

WORKS 3441 – 3460 of 7816 IMAGES ONLY
Artist: Nicholas, William. | Title: The Mayor (T. Broughton) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The Mayor (T. Broughton)

(1847)

pen-lithograph

Artist: Conder, Charles. | Title: The maypole. | Date: 1905 | Technique: transfer-lithograph, printed in black ink, from one stone

Charles Conder (1868–1909)

The maypole. | The Spirit of May

(1905)

transfer-lithograph

Artist: GRIFFITH, Pamela | Title: The Meadow Argus Butterfly and Kangaroo Paws | Date: 1987 | Technique: hardground-etching and aquatint, printed in colour, from two zinc plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Meadow Argus Butterfly and Kangaroo Paws

(1987)

hardground-etching and aquatint

Artist: Ham Brothers. | Title: The mechanic's hall, Melbourne. | Date: 1850 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

The mechanic's hall, Melbourne.

(1850)

engraving

Raymond Mcgrath (1903–1977)

The Medical School, Sydney University.

A.H. Fullwood (1863–1930)

The Medway Valley.

A.H. Fullwood (1863–1930)

The Medway Valley.

A.H. Fullwood (1863–1930)

The Medway Valley.

Artist: FULLWOOD, A.H. | Title: The Medway Valley, Kent. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

A.H. Fullwood (1863–1930)

The Medway Valley, Kent.

(1907)

lithograph

Clifton Pugh (1924–1990)

The meeting.

(1980)

etching

Charles Blackman (1928–2018)

The meeting.

(1983)

etching

Alfred Edward Warner (1879–1968)

The meeting.

(1920s?)

etching

Artist: Dickerson, Robert. | Title: The meeting | Date: 2000, July | Technique: sugar-lift etching, printed in black ink, from one zinc plate

Robert Dickerson (1924–2015)

The meeting

(2000, July)

sugar-lift etching

Artist: McGrath, Raymond. | Title: The Meeting | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

"The Meeting"

(1928)

wood-engraving

Artist: AMOR, Rick | Title: The meeting. | Date: 1995 | Technique: screenprint, printed in purple and yellow ink, from two screens

Rick Amor (1948–)

The meeting.

(1995)

screenprint

A.H. Fullwood (1863–1930)

The meeting place.

Elaine E. Coghlan (1897–1989)

The meeting, [crayon].

(1936 (exhibited))

crayon drawing

Francois Cogne (1829–1883)

The Melbourne album.

(1863-64)

lithograph

James Flett (1906–1986)

The Melbourne Boys high school.

(1930s)

etching

Artist: HARRALL, G.H. | Title: The Melbourne Exhibition Building. | Date: 1880 | Technique: wood-engraving, printed in black ink, from one block

G.H. Harrall (1880)

The Melbourne Exhibition Building.

(1880)

wood-engraving