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WORKS 3061 – 3080 of 7816 IMAGES ONLY

Gayfield Shaw (1885–1961)

The Lake.

Sydney Long (1871–1955)

The lake.

Gayfield Shaw (1885–1961)

The lake.

Herbert Gallop (1890–1958)

The Lake.

Sydney Long (1871–1955)

The Lake.

etching

Percival Gaskell (1868–1934)

The Lake.

Sydney Long (1871–1955)

The lake.

aquatint

Sydney Long (1871–1955)

The lake.

softground

Gayfield Shaw (1885–1961)

The lake

(c.1930)

etching

Artist: Beck, Leonard | Title: The lake. | Date: c.1930 | Technique: etching, printed in black ink, from one plate

Leonard Beck (1890–1975)

The lake.

(c.1930)

etching

Artist: Long, Sydney. | Title: The lake | Date: c.1919 | Technique: softground etching, printed from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake

(c.1919)

softground etching

Sydney Long (1871–1955)

The lake [aquatint].

aquatint

Sydney Long (1871–1955)

The Lake [softground].

Softground etching

Sydney Long (1871–1955)

The lake Avoca, N.S.W.

D.Y. Cameron (1865–1945)

The Lake of Monteith.

etching and aquatint

Herbert Gallop (1890–1958)

The lake side.

etching

Helen Farmer (1888–1970)

The lake, Avoca.

(c.1923)

Squire Morgan (1886–1974)

The lake, Avoca.

(1923)

Artist: Long, Sydney. | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The lake, Avoca

(1926)

line-etching and drypoint

Artist: Edwards, David. | Title: The lakes | Date: 1999, April | Technique: aquatint and sugarlift, printed in black ink, from one plate

David Edwards (1980–)

The lakes

(1999, April)

aquatint and sugarlift