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WORKS 2681 – 2700 of 7816 IMAGES ONLY

Sydney Ure Smith (1887–1949)

The Hawkesbury.

Leslie James Walker (1894–1951)

The Hawkesbury at Richmond.

Sydney Ure Smith (1887–1949)

The Hawkesbury River.

etching

Sydney Long (1871–1955)

The Hawkesbury River at Wiseman's Ferry.

Sydney Long (1871–1955)

The Hawkesbury River Landscape.

etching

Sydney Ure Smith (1887–1949)

The Hawkesbury, Windsor.

Artist: Harbeck, Ron. | Title: The hay shed. | Date: 1986 | Technique: screenprint, printed in colour, from five stencils

Ron Harbeck (1989–)

The hay shed.

(1986)

screenprint

Artist: Watson, Jenny. | Title: The haycarter | Date: 1990 | Technique: lithograph, printed in colour, from multiple stones and plates | Copyright: © Jenny Watson. Licensed by VISCOPY, Australia, 2008.

Jenny Watson (1951–)

The haycarter

(1990)

lithograph

A.H. Fullwood (1863–1930)

'The Haycock' at Wansford.

D.G. Reid (1862–1933)

The Hayfield.

The Haymarket drawings / Kevin Connor. [Berrima, NSW}: The Centaur Press, 1990.

(1990, January)

lithographs

Herbert Whydale (1892–1968)

The Hayrick.

etching

Raymond Mcgrath (1903–1977)

The Hayshed, Windsor.

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

Harold Herbert (1891–1945)

The haystacks

(c.1928)

etching

Frank Short (1857–1945)

The head of Langston Harbor.

(by 1928)

Eric Slater (1896–)

The headland by moonlight.

Sydney Ure Smith (1887–1949)

The Headland, Bilgola.

etching

Bruce Robertson (1872–1943)

The Headland, Lake Macquarie.

F. Sidney Walker (1888–1972)

The Headland, Newport.

(by 1925)

Artist: Prout, John Skinner | Title: The Heads of Port Jackson. | Date: 1842 | Technique: lithograph, printed in colour inks, from two stones (black image, buff tint)

John Skinner Prout (1805–1876)

The Heads of Port Jackson.

(1842)

lithograph