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WORKS 2041 – 2060 of 7816 IMAGES ONLY
Artist: Wolseley, John. | Title: The dune remains the same only the margin changes | Date: c.1992 | Technique: lithograph, printed in colour, from multiple stones | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

The dune remains the same only the margin changes

(c.1992)

lithograph

Artist: Wolseley, John. | Title: The dune remains the same, only the margin changes | Date: 1992-93 | Technique: lithograph, printed in colour, from multiple plates; overlaid on two sheets of paper | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

The dune remains the same, only the margin changes

(1992-93)

lithograph

Artist: Syme, Eveline | Title: The Duomo steps, Siena | Date: 1931 | Technique: linocut, printed in colour, from four blocks (yellow ochre, vermillion, cerulean blue, raw umber)

Eveline Syme (1888–1961)

The Duomo steps, Siena

(1931)

linocut

Artist: WALKER, Murray | Title: The dusk veil that falls over the late day play... | Date: 1989 | Technique: monotype, printed in black ink, from one plate

Murray Walker (1937–)

The dusk veil that falls over the late day play...

(1989)

monotype

Artist: Coffey, Alfred. | Title: The dust bin. | Date: 1928 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

The dust bin.

(1928)

etching and aquatint

Phyllis Ruby Brodziak (1916–1967)

The Dutch Gateway.

Artist: Allport, C.L. | Title: (The Dutchman's pipe, Queensland). | Date: c.1928 | Technique: linocut, printed in colour, from multiple blocks

C.L. Allport (1860–1949)

(The Dutchman's pipe, Queensland).

(c.1928)

linocut

Artist: Boyd, Hermia. | Title: The dying Sappho. | Date: 1978 | Technique: etching and aquatint

Hermia Boyd (1931–2000)

The dying Sappho.

(1978)

etching and aquatint

Artist: Dyson, Will. | Title: The dynamo, Hill 60. | Date: 1918 (documentation) | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

The dynamo, Hill 60.

(1918 (documentation))

lithograph

Alfred Chambers (1930–)

The Early Moon.

Thomas Bluett (1819–1846)

The earth trembled, and was silent whilst God arose.

(1844)

Artist: MEYER, Bill | Title: The Earth, I die | Date: 1970 | Technique: screenprint, printed in nine colours, from hand cut, open screen and photo ortho screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

The Earth, I die

(1970)

screenprint

Martin Hardie (1875–1952)

The East Coast.

etching

William John Huggins (1781–1845)

The East India ship Mellish entering the Harbour of Sydney.

(c.1830)

aquatint

Title: The Eastern Market. | Date: 1864 | Technique: lithograph, printed in colour, from two stones

The Eastern Market.

(1864)

lithograph

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the nomination. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Eatanswill Election, the nomination.

(1882)

etching

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the Procession. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Eatanswill Election, the Procession.

(1882)

etching

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the stable-yard. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Eatanswill Election, the stable-yard.

(1882)

etching

Allan Glover (1900–1984)

The Edge of the Creek.

Alfred Chambers (1930–)

The Edge of the Dunes.