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WORKS 2021 – 2040 of 7750 IMAGES ONLY
Artist: Wolseley, John. | Title: The dune remains the same only the margin changes | Date: c.1992 | Technique: lithograph, printed in colour, from multiple stones | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

The dune remains the same only the margin changes

(c.1992)

lithograph

Artist: Wolseley, John. | Title: The dune remains the same, only the margin changes | Date: 1992-93 | Technique: lithograph, printed in colour, from multiple plates; overlaid on two sheets of paper | Copyright: © John Wolseley. Licensed by VISCOPY, Australia

John Wolseley (1938–)

The dune remains the same, only the margin changes

(1992-93)

lithograph

Artist: Syme, Eveline | Title: The Duomo steps, Siena | Date: 1931 | Technique: linocut, printed in colour, from four blocks (yellow ochre, vermillion, cerulean blue, raw umber)

Eveline Syme (1888–1961)

The Duomo steps, Siena

(1931)

linocut

Artist: WALKER, Murray | Title: The dusk veil that falls over the late day play... | Date: 1989 | Technique: monotype, printed in black ink, from one plate

Murray Walker (1937–)

The dusk veil that falls over the late day play...

(1989)

monotype

Artist: Coffey, Alfred. | Title: The dust bin. | Date: 1928 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Alfred Coffey (1869–1950)

The dust bin.

(1928)

etching and aquatint

Phyllis Ruby Brodziak (1916–1967)

The Dutch Gateway.

Artist: Allport, C.L. | Title: (The Dutchman's pipe, Queensland). | Date: c.1928 | Technique: linocut, printed in colour, from multiple blocks

C.L. Allport (1860–1949)

(The Dutchman's pipe, Queensland).

(c.1928)

linocut

Artist: Boyd, Hermia. | Title: The dying Sappho. | Date: 1978 | Technique: etching and aquatint

Hermia Boyd (1931–2000)

The dying Sappho.

(1978)

etching and aquatint

Artist: Dyson, Will. | Title: The dynamo, Hill 60. | Date: 1918 | Technique: lithograph, printed in black ink, from one stone

Will Dyson (1880–1938)

The dynamo, Hill 60.

(1918)

lithograph

Alfred Chambers (1930–)

The Early Moon.

Artist: MEYER, Bill | Title: The Earth, I die | Date: 1970 | Technique: screenprint, printed in nine colours, from hand cut, open screen and photo ortho screen | Copyright: © Bill Meyer

Bill Meyer (1942–)

The Earth, I die

(1970)

screenprint

Martin Hardie (1875–1952)

The East Coast.

etching

William John Huggins (1781–1845)

The East India ship Mellish entering the Harbour of Sydney.

(c.1830)

aquatint

Title: The Eastern Market. | Date: 1864 | Technique: lithograph, printed in colour, from two stones

The Eastern Market.

(1864)

lithograph

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the nomination. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Eatanswill Election, the nomination.

(1882)

etching

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the Procession. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Eatanswill Election, the Procession.

(1882)

etching

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the stable-yard. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Christopher Coveny (1846–1941)

The Eatanswill Election, the stable-yard.

(1882)

etching

Allan Glover (1900–1984)

The Edge of the Creek.

Alfred Chambers (1930–)

The Edge of the Dunes.

Lucien Dechaineux (1869–1957)

The edge of the field.

(1913)