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WORKS 1801 – 1820 of 4117 IMAGES ONLY
Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Band, David. | Title: The mood that passes through you | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you

(1996)

screenprint

Artist: Band, David. | Title: The mood that passes through you II | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you II

(1996)

screenprint

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

Artist: LINDSAY, Lionel | Title: The Moorish market, Granada | Date: 1926 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moorish market, Granada

(1926)

drypoint

Artist: Boynes, Robert. | Title: The morals of money. | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Robert Boynes (1942–)

The morals of money.

(1974)

screenprint

Artist: Harding, Richard. | Title: The morning after the night before | Date: 1991 | Technique: etching, printed in black ink, from one plate

Richard Harding (1959–2025)

The morning after the night before

(1991)

etching

Artist: LINDSAY, Lionel | Title: The Morning star, Toledo | Date: 1938 | Technique: spririt-ground aquatint and burnishing, printed in blue ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Morning star, Toledo

(1938)

spririt-ground aquatint and burnishing

Artist: Owen, Gladys. | Title: The mosque. | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The mosque.

(1932 (exhibited))

wood-engraving

Artist: LINDSAY, Lionel | Title: The Mosque of the Sabres, Kairouan, Tunisia | Date: 1929 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mosque of the Sabres, Kairouan, Tunisia | The Mosque of the domes, Kairouan, Tunisia | The Mosque of the sabres

(1929)

drypoint

Artist: Riese, Tanja. | Title: The motel room | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Tanja Riese (1965–)

The motel room

(1987)

lithograph

Artist: Allan, Ailsa [1]. | Title: The mother. | Date: 1934 | Technique: linocut, printed in black ink, from one block

Ailsa [1]. Allan (1899–1943)

The mother.

(1934)

linocut

Artist: PACOT, Tony | Title: The mother of God and child detail | Date: 1988 | Technique: screenprint, printed colour, from multiple screens

Tony Pacot

The mother of God and child detail

(1988)

screenprint

Artist: Bowen, Dean. | Title: The mound | Date: 1989, November | Technique: etching and aquatint, printed in blue-black, from one plate

Dean Bowen (1957–)

The mound

(1989, November)

etching and aquatint

Artist: Black, Dorrit. | Title: The mountain lake. | Date: c.1935 | Technique: linocut, printed in colour, from four blocks (yellow-brown ochre, emerald green, cobalt blue, ultramarine)

Dorrit Black (1891–1951)

The mountain lake.

(c.1935)

linocut

Artist: Taylor, John H. | Title: The Mountaineer Brass Band Stand, Wallhalla | Date: 1974 | Technique: linocut, printed in black and grey ink, from two blocks

John H. Taylor (1921–)

The Mountaineer Brass Band Stand, Wallhalla

(1974)

linocut

Artist: Bramley-Moore, Mostyn. | Title: The movement of the brown blanket. Brooklyn, New York, (s.n): an artists' book containing title page with [3] pp. | Date: 1975, Nov | Technique: photocopy, printed in colour

Mostyn Bramley-Moore (1952–)

The movement of the brown blanket. Brooklyn, New York, (s.n): an artists' book containing title page with [3] pp.

(1975, Nov)

photocopy

Artist: Black, Dorrit. | Title: The mower. | Date: c.1932 | Technique: linocut, printed in black ink, from one block

Dorrit Black (1891–1951)

The mower. | Lawn mower

(c.1932)

linocut

Artist: WORSTEAD, Paul | Title: The murder mystery, no. 35: | Technique: offset-lithograph, gelatin silver photograph, xerox and coloured pencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The murder mystery, no. 35:

offset-lithograph