Browse: T

WORKS 1761 – 1780 of 4117 IMAGES ONLY
Artist: McGrath, Raymond. | Title: The Meeting | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

"The Meeting"

(1928)

wood-engraving

Artist: AMOR, Rick | Title: The meeting. | Date: 1995 | Technique: screenprint, printed in purple and yellow ink, from two screens

Rick Amor (1948–)

The meeting.

(1995)

screenprint

Artist: HARRALL, G.H. | Title: The Melbourne Exhibition Building. | Date: 1880 | Technique: wood-engraving, printed in black ink, from one block

G.H. Harrall (1880)

The Melbourne Exhibition Building.

(1880)

wood-engraving

Artist: GILL, S.T. | Title: The Melbourne Exhibition Building, northwest angle. | Date: 1854 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The Melbourne Exhibition Building, northwest angle.

(1854)

lithograph

Artist: Storrier, Tim. | Title: The memory - Camp 7 | Date: 1977 | Technique: softground etching, printed in black ink, from one plate | Copyright: © Tim Storrier

Tim Storrier (1949–)

The memory - Camp 7

(1977)

softground etching

Artist: RICHARDSON, Berris | Title: The Metamorphosis of Mrs Morris III (self portrait) | Date: 1974 | Technique: lithograph, printed in black ink, from one stone [or plate]

Berris Richardson (1945–1988)

The Metamorphosis of Mrs Morris III (self portrait)

(1974)

lithograph

Artist: WILLIAMS, Fred | Title: The Metropolitan | Date: 1955 | Technique: etching, aquatint, engraving and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The Metropolitan

(1955)

etching

Title: The Mewstone, bearing S.E., as seen from the vessel between the rock and the land. | Date: 1831 | Technique: engraving, printed in black ink, from one copper plate

The Mewstone, bearing S.E., as seen from the vessel between the rock and the land.

(1831)

engraving

Artist: Trenfield, Wells. | Title: The Milky Way on the Murray River | Date: 1982, June | Technique: lithograph, printed in colour from multiple stones

Wells Trenfield (1949–)

The Milky Way on the Murray River

(1982, June)

lithograph

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mill Bridge, Bridgewater, South Australia

(1920)

etching

Artist: Garrett, Tom. | Title: (The mill by moonlight) | Date: 1930s | Technique: monotype, printed in colour

Tom Garrett (1879–1952)

(The mill by moonlight)

(1930s)

monotype

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in colour, from four blocks

Harry Rosengrave (1899–1986)

The mill stream

(1957)

linocut

Artist: UNKNOWN | Title: The mill, Braidwood | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

The mill, Braidwood

(1977)

screenprint

Artist: Dickerson, Robert. | Title: The mime. | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one zinc plate

Robert Dickerson (1924–2015)

The mime.

(1977)

etching and aquatint

Artist: Counihan, Noel. | Title: The miner. | Date: 1947 | Technique: linocut, printed in black ink, from one block

Noel Counihan (1913–1986)

The miner.

(1947)

linocut

Title: The miner's dream of home | Date: c.1900 | Technique: lithograph, printed in colour, from multiple stones

The miner's dream of home

(c.1900)

lithograph

Artist: UNKNOWN, | Title: The Ministers and their cronies off to Botany Bay and the Dorchester men returning | Date: 1834 | Technique: woodcut, printed in black ink, from one block

UNKNOWN,

The Ministers and their cronies off to Botany Bay and the Dorchester men returning

(1834)

woodcut

Artist: GRIFFITH, Pamela | Title: The Mint, 1982 | Date: 1982 | Technique: hardground-etching, aquatint, and burnishing, printed in black ink, from one on one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Mint, 1982

(1982)

hardground-etching

Artist: MADDOCK, Bea | Title: The miracle | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

Bea Maddock (1934–2016)

The miracle

(1964)

monotype

Artist: Lanceley, Colin. | Title: The Miraculous Mandarin Suite. | Date: 1966 | Technique: screenprint, printed in black ink, from one stencil | Copyright: © Colin Lanceley. Licensed by VISCOPY, Australia

Colin Lanceley (1938–2015)

The Miraculous Mandarin Suite.

(1966)

screenprint