Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: T

WORKS 661 – 680 of 4119 IMAGES ONLY

Sort By:

Results per page:

Artist: AMOR, Rick | Title: The beast. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Artist: Rado, Ann. | Title: The beast that doesn't exist... | Date: 1996, 14 February | Technique: lithograph (maniere noir), printed in black ink (reverse image), from one stone

Artist: Shearer, Mitzi. | Title: the beauty contest | Date: 1978

Artist: Faerber, Ruth. | Title: The becoming | Date: 1975 | Technique: lithograph, printed in black ink, from multiple paper plates

Artist: Spowers, Ethel. | Title: The bee. | Date: c.1925 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Artist: Buckley, Sue. | Title: The beehive. | Date: 1980 | Technique: woodcut, printed in colour, from multiple blocks; lithograph, printed in colour; screenprinted, printed in colour | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Artist: Hawkins, Weaver. | Title: The beginning | Date: 1963 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: The Estate of H.F Weaver Hawkins

Artist: JENUARRIE | Title: The beginning II | Date: 1986 | Technique: llinocut, printed in black from one block

Artist: Hirschfeld Mack, Ludwig. | Title: The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso} | Date: (1960-65) | Technique: transfer print; watercolour addition (recto)

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1997, June | Technique: linocut and woodblock, printed in colour, from four blocks

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1996 | Technique: linocut, printed in black ink, from one block

Artist: Long, Sydney. | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The belly of Capitalism is never full | Date: 1978 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1961 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Title: The bent tree, Tuggerah Lake | Date: c.1925 | Technique: etching, printed in black ink, from one plate

Artist: WORSTEAD, Paul | Title: The best lack all conviction | Date: 1989 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Artist: Upward, Peter. | Title: The bewitched Devi Kunti angrily orders her son Sadewa sacrificed | Date: 1974 | Technique: screenprint, printed in colour, from 13 stencils

Artist: Coburn, John. | Title: The Biennale of Sydney Opera House, November 23, 1973 | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Coburn, John. | Title: The Biennale of Sydney Opera House, November 23, 1973 | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login