Browse: T

WORKS 2821 – 2840 of 4117 IMAGES ONLY
Artist: Traill, Jessie. | Title: The woodcutters' home | Date: c.1911 | Technique: etching, drypoint and foul biting, printed in warm black ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The woodcutters' home

(c.1911)

etching

Artist: Long, Sydney. | Title: The wooden ship | Date: 1922 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The wooden ship

(1922)

etching and drypoint

Artist: McGrath, Raymond. | Title: The woods of Westermain | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

The woods of Westermain

(1928)

wood-engraving

Artist: Black, Dorrit. | Title: The wool quilt makers. | Date: (c.1941) | Technique: linocut, printed in colour, from five blocks

Dorrit Black (1891–1951)

The wool quilt makers.

((c.1941))

linocut

Artist: Fasken, Myrtle. | Title: The woolshed. | Date: (1929) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of Myrtle Fasken

Myrtle Fasken (1889–1972)

The woolshed.

((1929))

wood-engraving

Artist: Beck, Richard. | Title: The work goes on - at Kings Cross. | Date: c.1938 | Technique: lithograph, printed in colour, from multiple plates

Richard Beck (1912–1985)

The work goes on - at Kings Cross.

(c.1938)

lithograph

Artist: GOODCHILD, John | Title: The work of day | Date: 1924 | Technique: softground etching, printed in brown ink, from one plate

John Goodchild (1898–1980)

The work of day | Rundle Street, Adelaide

(1924)

softground etching

Artist: McGrath, Eileen. | Title: The work of Eileen McGrath. | Date: 1931 | Technique: letterpress

Eileen Mcgrath (1907–2004)

The work of Eileen McGrath.

(1931)

letterpress

Artist: Shiels, Julie. | Title: The work of many hands. | Date: 1991 | Technique: screenprint and photo-screenprint, printed in colour, from two stencils

Julie Shiels (1954–)

The work of many hands.

(1991)

screenprint and photo-screenprint

Artist: TARRY, Jon | Title: The worker. | Date: 1988 | Technique: etching, printed in black ink, from one plate

Jon Tarry (1958–)

The worker.

(1988)

etching

Artist: Groblicka, Lidia. | Title: The workers | Date: 1957 | Technique: woodcut, printed in black ink, from one block

Lidia Groblicka (1933–2012)

The workers

(1957)

woodcut

Artist: Cullen, Gregor. | Title: The workplace is no place for racism. | Date: 1985 | Technique: screenprint, printed in colour, from six stencils

Gregor Cullen (1954–)

The workplace is no place for racism.

(1985)

screenprint

Artist: WILLIAMS, Fred | Title: The workrooms | Date: 1954-66 | Technique: etching, aquatint, rough biting, engraving, drypoint, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The workrooms

(1954-66)

etching

Artist: Spowers, Ethel. | Title: The works, Yallourn | Date: 1933 | Technique: linocut, printed in colour, from seven blocks

Ethel Spowers (1890–1947)

The works, Yallourn

(1933)

linocut

Artist: Spowers, Ethel. | Title: The works, Yallourn. | Date: 1933 | Technique: linocut, printed in colour, from seven blocks

Ethel Spowers (1890–1947)

The works, Yallourn.

(1933)

linocut

Artist: Curtis, Robert Emerson. | Title: The workshops, Milsons Point 1928. | Date: 1932 | Technique: lithograph, printed in black ink, from one plate

Robert Emerson Curtis (1898–1996)

The workshops, Milsons Point 1928.

(1932)

lithograph

Artist: Armstrong, Bruce. | Title: The world. | Date: 1988 | Technique: softground etching, printed in black ink, from one plate

Bruce Armstrong (1957–2024)

The world.

(1988)

softground etching

Artist: Ththerleigh, David. | Title: The world may never change | Date: 1999 | Technique: linocut, printed in black ink, from one block

David Ththerleigh

The world may never change

(1999)

linocut

Artist: Tytherleigh, David. | Title: The world may never change | Date: 1999, 6 October | Technique: linocut, printed in black ink, from one block

David Tytherleigh (1957–)

The world may never change

(1999, 6 October)

linocut

Artist: AMOR, Rick | Title: The world of men. | Date: 1993 | Technique: woodcut, printed in colour, from two blocks

Rick Amor (1948–)

The world of men.

(1993)

woodcut