Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: T

WORKS 2481 – 2500 of 4132 IMAGES ONLY

Sort By:

Results per page:

Artist: Lightbody, Graham. | Title: The story of whoopsie. | Date: 1980 | Technique: screenprint, printed in colour, from five stencils | Copyright: Courtesy Graham Lightbody

Artist: Kennedy, Helen. | Title: The strait | Date: 1997 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Artist: Bowen, Dean. | Title: The strange city | Date: 1988 | Technique: lithograph, printed in black ink, from one stone

Artist: Bowen, Dean. | Title: The strange cloud | Date: 1988 | Technique: lithograph, printed in black ink, from one stone

Artist: Bowen, Dean. | Title: The strange clouds | Date: 1988 | Technique: lithograph, printed in colour, from multiple stones

Artist: Bowen, Dean. | Title: The strange gear | Date: 1988 | Technique: lithograph, printed in colour, from four stones

Artist: Gittoes, George. | Title: The street. | Date: 1971 | Technique: etching, printed in black ink, from one plate

Artist: van RAALTE, Henri | Title: The street musicians. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Artist: Dalgarno, Roy. | Title: The struggle for existence. | Date: c.1930 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Roy Dalgarno

Artist: Cant, James. | Title: The struggle for life. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate | Copyright: © James Cant. Licensed by VISCOPY, Australia, 2008.

Artist: Cant, James. | Title: The struggle for life. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate

Artist: Franklin, Annie. | Title: The Studio. | Date: 1996 | Technique: etching, printed in blue ink, from one zinc plate

Artist: Casbolt, Leonie. | Title: The submission | Date: 1984 | Technique: photo-lithograph, printed in black ink, from one stone

Artist: Band, David. | Title: The substitute | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

Title: The suburbs | Date: 1968 | Technique: offset-lithograph, printed in black ink, from one plate

Artist: Lycett, Joseph. | Title: The Sugar Loaf Mountain, near Newcastle, New South Wales. | Date: 1 October 1824 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Artist: LINDSAY, Lionel | Title: The Sultan | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: LINDSAY, Lionel | Title: The Summit | Date: c.1925 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Rees, Lloyd. | Title: The Summit, Ball's Head | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Artist: MACKINOLTY, Chips | Title: The Sun - Official! Uranium income to finance mutation research. | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login