Browse: T

WORKS 2421 – 2440 of 4117 IMAGES ONLY
Artist: Nicholas, William. | Title: The speculator (Benjamin Boyd) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The speculator (Benjamin Boyd)

(1847)

pen-lithograph

Artist: Bowen, Dean. | Title: The spike | Date: 1988 | Technique: lithograph, printed in black ink, from one stone

Dean Bowen (1957–)

The spike

(1988)

lithograph

Artist: Hayward Pooaraar, Bevan. | Title: The Spirit Catchers | Date: 1988 | Technique: linocut, printed in black ink, from one block

Bevan Hayward Pooaraar (1939–2004)

The Spirit Catchers

(1988)

linocut

Title: The spirit catchers | Date: 1980 | Technique: linocut and caustic etching, printed in black ink, from one block

The spirit catchers

(1980)

linocut and caustic etching

Artist: Waller, Christian. | Title: The Spirit of Light | Date: 1932 | Technique: linocut, printed in black ink, from one block

Christian Waller (1894–1954)

The Spirit of Light

(1932)

linocut

Artist: WORSTEAD, Paul | Title: The spirit of the drought | Date: 1991 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The spirit of the drought

(1991)

screenprint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: etching and aquatint, printed in teal ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

etching and aquatint

Artist: Long, Sydney. | Title: The Spirit of the plains | Date: 1919 | Technique: aquatint and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Spirit of the plains

(1919)

aquatint and drypoint

Artist: GOODCHILD, John | Title: The Spit, Sydney | Date: 1922 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

The Spit, Sydney

(1922)

etching

Artist: MACKINOLTY, Chips | Title: The sports | Date: (1977) | Technique: screenprint, printed in colour, from multiple stencils

Chips Mackinolty (1954–)

The sports

((1977))

screenprint

Artist: WORSTEAD, Paul | Title: The Sports (Indian and Chook). | Date: 1978 | Technique: screenprint, printed in colour, from five stencils, | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Sports (Indian and Chook).

(1978)

screenprint

Artist: WORSTEAD, Paul | Title: The Sports Sondra | Date: 1981 | Technique: offset-lithograph, printed in colour, from two plates | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

The Sports Sondra

(1981)

offset-lithograph

Artist: Nicholas, William. | Title: The sportsman (John Rose Holden). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The sportsman (John Rose Holden).

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The sportsman (John Rose Holden) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The sportsman (John Rose Holden)

(1847)

pen-lithograph

Artist: Glover, Allan. | Title: The Spreading Bay fig tree | Date: 1931 | Technique: etching and aquatint, printed in brown ink, from one plate

Allan Glover (1900–1984)

The Spreading Bay fig tree

(1931)

etching and aquatint

Artist: Mortensen, Kevin. | Title: The squall | Date: 1994 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Kevin Mortensen

Kevin Mortensen (1939–2023)

The squall

(1994)

lithograph

Artist: Prior, Ted. | Title: The square hole | Date: 1985 | Technique: etching and aquatint, printed in colour

Ted Prior (1945–)

The square hole

(1985)

etching and aquatint

Artist: Rooney, Elizabeth. | Title: The square with travellers | Date: 1963 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Elizabeth Rooney (1929–2016)

The square with travellers

(1963)

etching and aquatint

Title: The St Kilda esplanade | Date: 1886 | Technique: woodengraving, printed in black ink, from one block

The St Kilda esplanade

(1886)

woodengraving

Artist: BALDESSIN, George | Title: The stage. | Date: 1965 | Technique: etching and aquatint, printed in black ink, from one plate

George Baldessin (1939–1978)

The stage.

(1965)

etching and aquatint