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WORKS 2181 – 2200 of 4120 IMAGES ONLY

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Artist: UNKNOWN | Title: The Removalists - Nimrod Street Theatre | Date: c.1974

Artist: UNKNOWN | Title: The Renaissance players | Date: 1976 | Technique: screenprint, printed in colour, from two stencils

Artist: Stejskal, Josef Lada. | Title: The Rep. Theatre at Bondi presents ... Tom Stoppard: Dogg's Hamlet, Cahoot's Macbeth; Edward Bond: The Fool | Date: 1983 | Technique: offset-lithograph, printed in black ink, from one plate

Artist: Cant, James. | Title: The reptile | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one hand-drawn glass plate

Artist: Cant, James. | Title: The reptile. | Date: 1948 | Technique: cliche-verre, printed in blue pigment, from one paper plate

Artist: STONE, T.M. (Bauxhau) | Title: The Republic | Date: 1986 | Technique: aquatint, etching printed in black ink, from one plate

Artist: EWINS, Rod | Title: The Residence.. | Date: 1983 | Technique: screenprint

Artist: EWINS, Rod | Title: The Residence (The Residence I). | Date: 1983, January | Technique: photo-etching and aquatint, printed in black ink, from one plate

Artist: Lycett, Joseph. | Title: The residence of Edward Riley Esq., Woolloomooloo, near Sydney, N.S.W. | Date: 1 June 1825 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Artist: Lycett, Joseph. | Title: The residence of John McArthur [sic] Esq. near Parramatta, New South Wales. | Date: 1 April 1825 (imprint) | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured

Title: The residence of W. Wilson esq. J.P. | Date: 1834 | Technique: lithograph, printed in black ink, from one stone

Artist: Werner, Baynard. | Title: The rest is silence | Date: 1976 | Technique: screenprint, printed in colour, from multiple stencils

Artist: MUSEUM CURATORS CLASS | Title: The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition. | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

Artist: MUSEUM CURATORS CLASS | Title: The restoration of the 'Deposition from the Cross' by Raphael. A photographic exhibition. | Date: 1976 | Technique: screenprint, printed in purple ink, from one stencil

Artist: GRIFFITH, Pamela | Title: The restored Mint | Date: 1982 | Technique: hard ground, aquatint, spray resist, burnishing, on one zinc | Copyright: © Pamela Griffith

Artist: Stewart, Jeff. | Title: The Retch -The Boreroom St.Kilda. | Date: 1980 | Technique: screenprint, printed in black ink, from one stencil

Artist: White, Susan Dorothea. | Title: The retired mechanic | Date: 1978 | Technique: lithograph, printed in colour, from one stone

Artist: SIDMAN, William | Title: The retriever with pheasant | Date: 1912, October | Technique: etching, printed in black ink with plate-tone, from one copper plate

Artist: Penso, Gianna | Title: The return | Date: 1986 | Technique: screenprint, printed in colour, from multiple stencils

Artist: LINDSAY, Lionel | Title: The return | Date: c.1950 | Technique: mezzotint and etching, in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

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