Browse: T

WORKS 2061 – 2080 of 4117 IMAGES ONLY
Artist: VARIOUS | Title: The Power Survey of Contemporary Art 1972. National Gallery of Victoria, February 3ed to March 19th, 1972. | Date: 1972 | Technique: screenprint

VARIOUS

The Power Survey of Contemporary Art 1972. National Gallery of Victoria, February 3ed to March 19th, 1972.

(1972)

screenprint

Title: The Powerhouse youth theatre | Date: 1991 | Technique: screenprint, printed in colour, from nine stencils

The Powerhouse youth theatre

(1991)

screenprint

Title: The preacher | Date: 2001 | Technique: hardground etching, sugar-lift and aquatint, printed in colour, from two copper plates; inked a-la-poupee

The preacher

(2001)

hardground etching

Artist: QUICK, Mary | Title: The Presbyterian church | Date: c.1945 | Technique: woodcut, printed in black ink, from one block

Mary Quick

The Presbyterian church

(c.1945)

woodcut

Artist: Shead, Garry. | Title: The presence | Date: 1994 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The presence

(1994)

etching and aquatint

Artist: LINDSAY, Lionel | Title: The priest's door | Date: 1919 | Technique: etching and drypoint, printed in brown ink with plate-tone and wiped highlights, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The priest's door | The bishops door, Seville.

(1919)

etching and drypoint

Artist: Forster, Josephine. | Title: The printer. | Date: 1988 | Technique: linocut, printed in black ink, from one block | Copyright: © Josephine Forster

Josephine Forster (1930–)

The printer.

(1988)

linocut

Artist: LINDSAY, Lionel | Title: The priory doorway, Taormina. | Date: 1928 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The priory doorway, Taormina.

(1928)

drypoint

Artist: POSTER FILE COLLECTIVE | Title: The problem that has no name | Date: after 1963 | Technique: screenprint, printed in colour, from multiple stencils

POSTER FILE COLLECTIVE

The problem that has no name

(after 1963)

screenprint

Artist: VARIOUS (STUDENTS OF SYDNEY COLLEGE OF THE ARTS) | Title: The problems of marriage. | Date: (1985) | Technique: photocopy

VARIOUS (STUDENTS OF SYDNEY COLLEGE OF THE ARTS)

The problems of marriage.

((1985))

photocopy

Artist: LINDSAY, Lionel | Title: The prodigal son | Date: 1935 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The prodigal son

(1935)

etching

Artist: Henigan, Patrick. | Title: The prodigal son (eats with the pigs) | Date: 1985 | Technique: drypoint, printed in black ink, from one plate

Patrick Henigan (1925–2018)

The prodigal son (eats with the pigs) | He eats with the pigs

(1985)

drypoint

Title: The progress of your firm | Date: 1980 | Technique: screenprint, printed in black and white ink, from two stencils

The progress of your firm

(1980)

screenprint

Artist: UNKNOWN | Title: The Project Show: Information performance artwork

UNKNOWN

The Project Show: Information performance artwork

Artist: LITTLE, Colin | Title: The Projects Show | Technique: screenprint, printed in colour, from multiple stencils

Colin Little (1952–1982)

The Projects Show

screenprint

Artist: LITTLE, Colin | Title: The Projects Show | Technique: screenprint, printed in colour, from multiple stencils

Colin Little (1952–1982)

The Projects Show

screenprint

Title: The promise broken. | Date: 1994-1999 | Technique: woodcut, printed in black ink, from one magnolia woodblock | Copyright: © Salvatore Zofrea, 1994-1999

The promise broken.

(1994-1999)

woodcut

Artist: Dyson, Edward Ambrose. | Title: (The proposition). | Date: c.1942 | Technique: etching, drypoint, printed in black ink with plate-tone, from one plate

Edward Ambrose Dyson (1908–1952)

(The proposition).

(c.1942)

etching

Artist: Warner, Alfred Edward. | Title: The prospector | Date: 1935 | Technique: etching, printed in black ink, from one plate

Alfred Edward Warner (1879–1968)

The prospector

(1935)

etching

Title: The prospector [cover] | Date: 1883 | Technique: pen and ink

The prospector [cover]

(1883)

pen and ink