Browse: P

WORKS 261 – 280 of 2962 IMAGES ONLY
Title: Panel for the seven days of creation 5 | Date: c.1965 | Technique: etching and aquatint, printed in black ink, from one plate

Panel for the seven days of creation 5

(c.1965)

etching and aquatint

Title: Panel for the seven days of creation 6 | Date: c.1965 | Technique: etching and aquatint, printed in black ink, from one plate

Panel for the seven days of creation 6

(c.1965)

etching and aquatint

Title: Panel for the seven days of creation 7 | Date: c.1965 | Technique: etching and aquatint, printed in black ink, from one plate

Panel for the seven days of creation 7

(c.1965)

etching and aquatint

Title: Panel for the seven days of creation 8 | Date: c.1965 | Technique: etching and aquatint, printed in black ink, from one plate

Panel for the seven days of creation 8

(c.1965)

etching and aquatint

Title: Panel for the seven days of creation 9 | Date: c.1965 | Technique: etching and aquatint, printed in black ink, from one plate

Panel for the seven days of creation 9

(c.1965)

etching and aquatint

Panel from Les Sauvages de la mer Pacifique [The Voyages of Captain Cook]. | The Voyages of Captain Cook

(1805)

woodblock

Adrian Feint (1894–1971)

Panel of Bookplates.

Panels for the seven days of creation

(c.1965)

etching and aquatint

Artist: TJUNGURRAYI, Charlie Tararu | Title: Pankalanka Ogre at Ngurra Palangu | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

Charlie Tararu Tjungurrayi (1921–1999)

Pankalanka Ogre at Ngurra Palangu

(1981)

screenprint

Artist: ARNOLD, Raymond | Title: Panoptikum. A portrait in wax. Ian Bonde | Date: 1991 | Technique: screenprint, printed in colour, from multiple stencils; etching, printed in black ink, from one plate

Raymond Arnold (1950–)

Panoptikum. A portrait in wax. Ian Bonde

(1991)

screenprint

J. H. Adamson (1829–1902)

Panorama of Goolwa from the water, showing steamer Lady Augusta.

(1856)

lithograph

Panoramic view of Hobarton.

(1833)

lithograph

Title: Panoramic view of King George's Sound, part of the colony of Swan River. | Date: 1834 | Technique: etching and aquatint, printed in black ink, from one plate; hand-coloured

Panoramic view of King George's Sound, part of the colony of Swan River. | Panoramic View of King George Sound, part of the colony of Swan River

(1834)

etching and aquatint

Panoramic View of King George's Sound, part of the colony of Swan River.

(1830)

etching and aquatint

Title: Panoramic view of King George's Sound, part of the colony of Swan River. | Date: 1834 | Technique: etching and aquatint, printed in black ink, from three plates; hand- coloured

Panoramic view of King George's Sound, part of the colony of Swan River.

(1834)

etching and aquatint

Hertha Kluge-Pott (1934–)

Pans Hour.

etching and aquatint

Hardy Wilson (1881–1955)

Panshanger near Longford, Tas.

(1924)

collotype

William Thomas Lyttleton (1786–1839)

Panshanger, Tasmania, the seat of Joseph Archer Esquire

(1835)

lithograph

Artist: Tomescu, Aida. | Title: Panspermie I | Date: 1990 | Technique: etching, printed in black ink, from one copper plate | Copyright: © Aida Tomescu. Licensed by VISCOPY, Australia.

Aida Tomescu (1955–)

Panspermie I

(1990)

etching

Aida Tomescu (1955–)

Panspermie I-II

(1990)

etching