Browse: P

WORKS 1001 – 1020 of 1794 IMAGES ONLY
Artist: Sainson, Louis de. | Title: Port du Roi Georges. Nouvelle-Hollande. Un naturel montre a ses Compagnons les Cadeaux qu'elil a recus a bord de L'Astrolabe. (St George's Sound. New Holland- a native showing his companions the presents received on board the Astrolabe.) | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Louis de Sainson (1801–1887)

Port du Roi Georges. Nouvelle-Hollande. Un naturel montre a ses Compagnons les Cadeaux qu'elil a recus a bord de L'Astrolabe. (St George's Sound. New Holland- a native showing his companions the presents received on board the Astrolabe.)

(1833)

lithograph

Artist: Sainson, Louis de. | Title: Port du Roi Georges. Nouvelle-Hollande. Un naturel montre a ses Compagnons les Cadeaux qu'elil a recus a bord de L'Astrolabe. (St George's Sound. New Holland- a native showing his companions the presents received on board the Astrolabe.) | Date: 1833 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Louis de Sainson (1801–1887)

Port du Roi Georges. Nouvelle-Hollande. Un naturel montre a ses Compagnons les Cadeaux qu'elil a recus a bord de L'Astrolabe. (St George's Sound. New Holland- a native showing his companions the presents received on board the Astrolabe.)

(1833)

lithograph

Title: Port Essington, cote nord de l'Australie [Port Essington, north coast of Australia] | Date: c.1842 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Port Essington, cote nord de l'Australie [Port Essington, north coast of Australia]

(c.1842)

lithograph

Title: Port Jackson Harbour, in New South Wales: with a distant view of the Blue Mountains. Taken from South Head. | Date: 1812 | Technique: engraving, printed in black ink, from one copper plate

Port Jackson Harbour, in New South Wales: with a distant view of the Blue Mountains. Taken from South Head.

(1812)

engraving

Artist: PROUT, John Skinner | Title: Port Jackson, east of Bradley's Head | Date: 1842 | Technique: lithograph, printed in colour, from two stones (black and brown tint stone)

John Skinner Prout (1805–1876)

Port Jackson, east of Bradley's Head

(1842)

lithograph

Artist: PROUT, John Skinner | Title: Port Jackson, from Dawe's Battery. | Date: 1842 | Technique: lithograph, printed in colour, from two stones (black and brown tint stone)

John Skinner Prout (1805–1876)

Port Jackson, from Dawe's Battery. | Port Jackson, from Dawes' Battery [list of plates]

(1842)

lithograph

Artist: Senbergs, Jan. | Title: Port Liardet | Date: 1992 | Technique: etching, printed in black ink, from one plate | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

Port Liardet

(1992)

etching

Artist: Senbergs, Jan. | Title: Port Liardet | Date: 1988 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Jan Senbergs. Licensed by VISCOPY, Australia

Jan Senbergs (1939–)

Port Liardet

(1988)

screenprint

Artist: Senbergs, Jan. | Title: Port Liardet | Date: 1992 | Technique: sugar-lift etching, printed in black ink, from one plate | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

Port Liardet

(1992)

sugar-lift etching

Artist: Angas, George French. | Title: Port Lincoln. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Port Lincoln.

(1846-47)

lithograph

Artist: Angas, George French. | Title: Port Lincoln, looking across Boston Bay towards Spencers Gulf. Stanford Hill and Thistle Island in the distance. | Date: 1846-47 | Technique: lithograph, printed in colour, from multiple stones; varnish highlights by brush

George French Angas (1822–1886)

Port Lincoln, looking across Boston Bay towards Spencers Gulf. Stanford Hill and Thistle Island in the distance.

(1846-47)

lithograph

Artist: Ackermann & Co. | Title: Port Lincoln, taken from the south. | Date: 1835 | Technique: etching and aquatint, printed in black ink, from one plate

Ackermann & Co. (1830–1861)

Port Lincoln, taken from the south.

(1835)

etching and aquatint

Artist: Paterson, Jim. | Title: Port Melbourne | Date: 1981 | Technique: lithograph, printed in black ink, from one stone [or plate]

Jim Paterson (1944–)

Port Melbourne

(1981)

lithograph

Artist: Mills, Frank. | Title: Port of Fremantle | Date: (1946) | Technique: linocut

Frank Mills (1901–1957)

Port of Fremantle

((1946))

linocut

Artist: Martens, Conrad. | Title: Port of Port Jackson with Garden Island, from near the church, Darling Point. | Date: 1850-59 | Technique: lithograph, printed in black ink, from one stone

Conrad Martens (1801–1878)

Port of Port Jackson with Garden Island, from near the church, Darling Point.

(1850-59)

lithograph

Artist: Dallwitz, David. | Title: Port River. | Date: 1953 | Technique: etching, printed in black ink, from one plate

David Dallwitz (1914–2003)

Port River.

(1953)

etching

Artist: Senbergs, Jan. | Title: Port structures | Date: 1992 | Technique: etching, printed in black ink, from one plate | Copyright: © Jan Senbergs

Jan Senbergs (1939–)

Port structures

(1992)

etching

Artist: LINDSAY, Lionel | Title: Porta Capuana, Naples | Date: 1927 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Porta Capuana, Naples

(1927)

etching and aquatint

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Porte Marechale, Bruges

(c.1919)

line-etching

Artist: Pickett, Byron. | Title: Porter Bay, marina development | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Byron Pickett (1955–)

Porter Bay, marina development

(1985)

screenprint