Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse: N

WORKS 561 – 580 of 4333 IMAGES ONLY

Sort By:

Results per page:

Artist: SCHMEISSER, Jorg | Title: No.4 - Beispiel: Strichatzung (No.4 - example: Line-etching) | Date: 1976 | Technique: line-block etching | Copyright: © Jörg Schmeisser

Artist: SCHMEISSER, Jorg | Title: No.5 - Beirpiel: Reliefatzung (No.5 - example: Relief etching) | Date: 1976 | Technique: relief-etching, printed in black ink, from one plate | Copyright: © Jörg Schmeisser

Artist: SCHMEISSER, Jorg | Title: No.6 - Beispiel: Aquatinta (No.6 - example: Aquatint) | Date: 1976 | Technique: aquatint, printed in black ink, from one plate | Copyright: © Jörg Schmeisser

Artist: SCHMEISSER, Jorg | Title: No.7 - Beispiel: Weichgrund (No.7 - example: Soft-ground) | Date: 1976 | Technique: softground etching, printed inblack ink, from one plate | Copyright: © Jörg Schmeisser

Artist: SCHMEISSER, Jorg | Title: No.8 - Beispiel: Photoradierung (No.8 - example: photo-etching) | Date: 1976 | Technique: photo-etching, printed in black ink, from one plate | Copyright: © Jörg Schmeisser

Artist: SCHMEISSER, Jorg | Title: No.9 - Beispiel: Farbradierung (No.9 - example: colour etching) | Date: 1976 | Technique: etching and aquatint, printed in colour | Copyright: © Jörg Schmeisser

Artist: White, Susan Dorothea. | Title: Noah's rocket | Date: 1978 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: FULLWOOD, A.H. | Title: Nobby's, Port Macquarie, N.S.W. | Date: 1924 | Technique: etching, printed in black ink, from one plate

Artist: GRIFFITH, Pamela | Title: Nobbys Beach | Date: 1985 | Technique: hardground-etching, aquatint and burnishing, printed in colour, from two zinc plates | Copyright: © Pamela Griffith

Artist: Prior, Ted. | Title: Nobbys Beach Inspector | Date: 1985 | Technique: colour etching and aquatint

Artist: Millikin, Ruby. | Title: Nobbys in history | Date: 1985 | Technique: screenprint and collage

Artist: Dyson, Will. | Title: Nobody gives us credit for the masterpieces we haven't written yet. | Date: 1930, before | Technique: lithograph, printed in black ink, from one zinc plate

Artist: Dyson, Will. | Title: Nobody gives us credit for the masterpieces we haven't written yet. | Date: c.1920 | Technique: lithograph, printed in black ink, from one stone

Title: Nobody's children | Date: 1989 | Technique: offset-lithograph, printed in colour, from multiple plates

Artist: PLATT, Austin | Title: (Nock and Kirby buildings) | Date: 1949 | Technique: etching

Artist: Hay, Bill. | Title: Nocturn egg throwers | Date: 1992, April - May | Technique: lithograph, printed in black ink, from one stone; handcoloured

Artist: Bowen, Dean. | Title: Nocturnal landscape with dog | Date: 1991 | Technique: etching, printed in black ink, from one plate

Artist: Thorpe, Lesbia. | Title: Nocturnal quins | Date: 1981 | Technique: screenprint, printed in colour, from four stencils

Title: Nocturnal still-life | Date: 1976 | Technique: etching, printed in black ink, from one plate

Artist: Mombassa, Reg. | Title: Nocturne | Date: 2006 | Technique: etching and aquatint, printed in black ink, from one plate

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login