Browse: M

WORKS 521 – 540 of 2700 IMAGES ONLY
Artist: Cherel, Kumanjayi (Butcher). | Title: Manyi | Date: 1999, June | Technique: linocut, printed in black ink, from one block

Kumanjayi (Butcher). Cherel (1920–2009)

Manyi

(1999, June)

linocut

Artist: Cherel, Kumanjayi (Butcher). | Title: Manyi (bush potato) | Date: 2001 | Technique: etching, printed in black ink, from one plate

Kumanjayi (Butcher). Cherel (1920–2009)

Manyi (bush potato)

(2001)

etching

Artist: Bird, Cynthia. | Title: Manzanita | Date: 1986, June | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate

Cynthia Bird (1986–)

Manzanita

(1986, June)

etching and aquatint

Artist: Without Authority. | Title: Mao bike poster | Date: 1978 | Technique: screenprint, printed in colour, from seven ulano hand-cut stencils and two direct photo stencils | Copyright: Courtesy of the artist

Without Authority. (1978–1985)

Mao bike poster

(1978)

screenprint

Artist: UNKNOWN (DAVID) | Title: Maori and Pacific peoples revolutionary front. Kia Whawhai Tonu Matou Ake Ake Ake. | Date: 1979 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN (DAVID)

Maori and Pacific peoples revolutionary front. Kia Whawhai Tonu Matou Ake Ake Ake.

(1979)

screenprint

Marie Mcmahon (1953–)

Maori garden, 1.

(1987)

screenprint

Marie Mcmahon (1953–)

Maori garden, 2.

(1987)

screenprint

Nancy Parker (1913–2008)

Maori Head.

James Crisp (1879–1962)

Maori Wahines, Rotorua (Body Colour, Black.

George Collingridge (1847–1931)

Map.

(c.1923)

woodengraving

George Collingridge (1847–1931)

Map.

(1922)

wood-engraving

Artist: Marshall, John. | Title: Map | Date: 1994 | Technique: linocut, printed in black ink, from one block

John Marshall (1948–)

Map

(1994)

linocut

Artist: PARR, Mike | Title: Map 1 | Date: 1987 | Technique: etching and foul biting, printed in black ink, from one copper plate

Mike Parr (1945–)

Map 1 | The map

(1987)

etching and foul biting

Artist: PARR, Mike | Title: Map 1 | Date: 1987 | Technique: etching and foul biting, printed in black ink, from one copper plate

Mike Parr (1945–)

Map 1 | The Map

(1987)

etching and foul biting

Adrian Feint (1894–1971)

Map design for The Home magazine.

(1927-1935)

Artist: PARR, Mike | Title: Map II. | Date: 1987 | Technique: etching and foul biteing, printed in black ink, from one copper plate

Mike Parr (1945–)

Map II.

(1987)

etching and foul biteing

Title: Map of route from Sydney to New Guinea of the Detached Squadron expedition to New Guinea | Technique: lithograph, printed in black ink, from one stone

Map of route from Sydney to New Guinea of the Detached Squadron expedition to New Guinea

lithograph

Title: Map of Sarah Island the penal settlement at Macquarie Harbour 1831. | Date: 1831 | Technique: engraving, printed in black ink, from one plate

Map of Sarah Island the penal settlement at Macquarie Harbour 1831.

(1831)

engraving

Artist: Ham Brothers. | Title: Map of the counties of Wellington and Bathurst showing the present goldfield of New South Wales, June 1851. | Date: 1851 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

Ham Brothers. (1850–1851)

Map of the counties of Wellington and Bathurst showing the present goldfield of New South Wales, June 1851.

(1851)

lithograph

Artist: Ham Brothers. | Title: Map of the isthmus of Panama showing the proposed connection of the Pacific and Atlantic oceans. | Date: 1850 | Technique: lithograph, printed in blue/green ink, from one stone

Ham Brothers. (1850–1851)

Map of the isthmus of Panama showing the proposed connection of the Pacific and Atlantic oceans.

(1850)

lithograph