Browse: M

WORKS 181 – 200 of 2700 IMAGES ONLY

James Crisp (1879–1962)

Magpies [pencil drawing].

pencil drawing

Pamela Griffith (1943–)

Magpies and Gulls, Botany Bay.

(1987)

hard-ground

Pamela Griffith (1943–)

Magpies call.

(1995)

hardground-etching and aquatint

Artist: LONG, Sydney | Title: Magpies feeding | Date: c.1919 | Technique: line-etching, printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Magpies feeding

(c.1919)

line-etching

Mahalahala.

(1996)

lithograph

Maharangi

(1976)

lithograph

THEATRE ROYAL

Maid of Honour/ Neuha's Cave, Or, The South Sea Mutineers.

(1831)

letterpress

Artist: Fabian, Erwin. | Title: Mail. | Date: 1941 | Technique: monotype, printed in black ink, from one plate | Copyright: © Erwin Fabian

Erwin Fabian (1915–2020)

Mail.

(1941)

monotype

Artist: MADDOCK, Bea | Title: Mail | Date: 1976 | Technique: photo-etching, aquatint and softground etching, printed in colour, from seven plates; collage additions

Bea Maddock (1934–2016)

Mail

(1976)

photo-etching

Artist: LINDSAY, Lionel | Title: Mail and post office, Cracow, Queensland | Date: 1932 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Mail and post office, Cracow, Queensland

(1932)

etching

Artist: Wallace-Crabbe, Robin. | Title: Mail Art | Copyright: © Robin Wallace-Crabbe, Licensed by VISCOPY, Australia

Robin Wallace-Crabbe (1938–)

Mail Art

Artist: STELARC | Title: Mail art - Event for amplified hands: No. 2 | Date: 1982 | Technique: lithograph, printed in black ink, from one stone [or plate] | Copyright: Courtesy the artist, Stelarc and Sherman Galleries, Sydney

STELARC (1946–)

Mail art - Event for amplified hands: No. 2

(1982)

lithograph

Artist: STELARC | Title: Mail art: Event for amplified hands | Date: 1982 | Technique: offset-lithograph | Copyright: Courtesy the artist, Stelarc and Sherman Galleries, Sydney

STELARC (1946–)

Mail art: Event for amplified hands

(1982)

offset-lithograph

Artist: STELARC | Title: Mail art: Prepared tree suspension event for obsolete body No.6 | Date: 1982 | Technique: offset-lithograph, printed in black ink | Copyright: Courtesy the artist, Stelarc and Sherman Galleries, Sydney

STELARC (1946–)

Mail art: Prepared tree suspension event for obsolete body No.6

(1982)

offset-lithograph

Title: Mail from Vincent | Date: 2007 | Technique: hardground etching and aquatint, printed in colour, from one copper plate; inked a-la-poupee

Mail from Vincent

(2007)

hardground etching and aquatint

Artist: Schell, Frederick B. | Title: Mail steamer leaving Auckland | Date: 1886-88 | Technique: wood-engraving, printed in black ink, from one block

Frederick B. Schell (1838–1900)

Mail steamer leaving Auckland

(1886-88)

wood-engraving

Kiyoko Kobayashi (1947–)

Main Axis of the Time.

Alfred Edward Warner (1879–1968)

Main Entrance, St. Mary's Cathedral.

Douglas Pratt (1900–1972)

Main Entrance, Sydney University.

Artist: Cox, Roy. | Title: Main entrance, University of Tasmania. | Date: 1932 | Technique: linocut, printed in black ink, from one block

Roy Cox (1903–1976)

Main entrance, University of Tasmania.

(1932)

linocut