Browse: I

WORKS 81 – 100 of 1106 IMAGES ONLY
Artist: HANRAHAN, Barbara | Title: I wonder by my troth, what thou and I did, till we lovd? | Date: 1962 | Technique: linocut, printed in black ink, from one block

Barbara Hanrahan (1939–1991)

I wonder by my troth, what thou and I did, till we lovd?

(1962)

linocut

Aileen Brown (1946–)

I would love a bowl like this.

(1985)

colour linocut

Artist: Band, David. | Title: I'll remember you | Date: 1995, August | Technique: etching, lift-ground and aquatint, viscosity printed in colour, from two plates

David Band (1959–2011)

I'll remember you

(1995, August)

etching

Artist: Harris, Jeffrey. | Title: I'm counting and that makes | Date: 1999 | Technique: sugar-lift etching, printed in black ink, from one plate

Jeffrey Harris (1949–)

I'm counting and that makes

(1999)

sugar-lift etching

Artist: Allen, Davida | Title: I'm just like a priest when I paint | Date: 1991, July - September | Technique: lithograph, printed in colour, from three stones

Davida Allen (1951–2014)

I'm just like a priest when I paint

(1991, July - September)

lithograph

Artist: Kennedy, Roy. | Title: I'm never alone. | Date: 2005 | Technique: etching, printed in black ink, from one plate

Roy Kennedy (1934–2021)

I'm never alone.

(2005)

etching

Artist: Eager, Helen. | Title: I'm no fool, I put white wash on my tool, Yes but what about the Queen?. | Date: 1979 | Technique: lithograph, printed in colour, from five stones [or plates]

Helen Eager (1952–)

"I'm no fool, I put white wash on my tool", "Yes but what about the Queen?".

(1979)

lithograph

Artist: Casbolt, Leonie. | Title: I'm still struggling | Date: 1985 | Technique: lithograph, printed in black ink, from one stone

Leonie Casbolt (1959–)

I'm still struggling

(1985)

lithograph

Will Dyson (1880–1938)

'I'm weeping well today.'.

Title: I've survived domestic violence | Date: 1988 | Technique: offset-lithograph, printed in colour, from multiple plates

I've survived domestic violence

(1988)

offset-lithograph

Judith Wright (1945–)

I-IV

(1995)

aquatint

Artist: UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP) | Title: I.C.C. Cabaret, Uni. Refec. Hotter than a rolling dice and Dealer Mr. Meaner | Date: 1981 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN (UNIVERSITY OF QUEENSLAND STUDENT WORKSHOP)

I.C.C. Cabaret, Uni. Refec. Hotter than a rolling dice and Dealer Mr. Meaner

(1981)

screenprint

Artist: Davies, L. Roy. | Title: I.F.D. | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

I.F.D. | Portrait of the artist's father

(1923)

wood-engraving

Artist: Atkins, Ros. | Title: (IA) | Date: 1996, July | Technique: wood engraving, printed in black ink, from one block

Ros Atkins (1957–)

(IA)

(1996, July)

wood engraving

Artist: Taylor, John H. | Title: Ian Armstrong | Date: 1974 | Technique: linocut, printed in black and grey ink, from two blocks

John H. Taylor (1921–)

Ian Armstrong

(1974)

linocut

Graeme Wood (1993–)

Ian Barwick

(1984)

aquatint

Artist: Danko, Aleks. | Title: Ian Bell will arrive in London, January 3rd 1974. | Date: 1974 | Technique: photocopy

Aleks Danko (1950–)

Ian Bell will arrive in London, January 3rd 1974.

(1974)

photocopy

Artist: Danko, Aleks. | Title: Ian Bell will arrive in London, January 3rd 1974. | Date: 1974 | Technique: photocopy

Aleks Danko (1950–)

Ian Bell will arrive in London, January 3rd 1974.

(1974)

photocopy

Artist: Danko, Aleks. | Title: Ian Bell will arrive in London, January 3rd 1974. | Date: (1974) | Technique: photocopy

Aleks Danko (1950–)

Ian Bell will arrive in London, January 3rd 1974.

((1974))

photocopy

Raymond Arnold (1950–)

Ian Browne Photographs, Chameleon, Hobart.

(1988)

screenprint